Zusatztext 71290064 Informationen zum Autor Ken Follett Klappentext Ken Follett's extraordinary historical epic, the Century Trilogy, reaches its sweeping, passionate conclusion. In Fall of Giants and Winter of the World, Ken Follett followed the fortunes of five international families-American, German, Russian, English, and Welsh-as they made their way through the twentieth century. Now they come to one of the most tumultuous eras of all: the 1960s through the 1980s, from civil rights, assassinations, mass political movements, and Vietnam to the Berlin Wall, the Cuban Missile Crisis, presidential impeachment, revolution-and rock and roll. East German teacher Rebecca Hoffmann discovers she's been spied on by the Stasi for years and commits an impulsive act that will affect her family for the rest of their lives. . . . George Jakes, the child of a mixed-race couple, bypasses a corporate law career to join Robert F. Kennedy's Justice Department and finds himself in the middle of not only the seminal events of the civil rights battle but a much more personal battle of his own. . . . Cameron Dewar, the grandson of a senator, jumps at the chance to do some official and unofficial espionage for a cause he believes in, only to discover that the world is a much more dangerous place than he'd imagined. . . . Dimka Dvorkin, a young aide to Nikita Khrushchev, becomes an agent both for good and for ill as the United States and the Soviet Union race to the brink of nuclear war, while his twin sister, Tanya, carves out a role that will take her from Moscow to Cuba to Prague to Warsaw-and into history. Look out for Ken's newest book, A Column of Fire, available now.This excerpt is from an advance uncorrected proof Copyright © 2014 Ken Follett CHAPTER ONE Rebecca Hoffmann was summoned by the secret police on a rainy Monday in 1961. It began as an ordinary morning. Her husband drove her to work in his tan Trabant 500. The graceful old streets of central Berlin still had gaps from wartime bombing, except where new concrete buildings stood up like ill-matched false teeth. Hans was thinking about his job as he drove. The courts serve the judges, the lawyers, the police, the governmenteveryone except the victims of crime, he said. This is to be expected in Western capitalist countries, but under Communism the courts ought surely to serve the people. My colleagues don't seem to realize that. Hans worked for the Ministry of Justice. We've been married almost a year, and I've known you for two, but I've never met one of your colleagues, Rebecca said. They would bore you, he said immediately. They're all lawyers. Any women among them? No. Not in my section, anyway. Hans's job was administration: appointing judges, scheduling trials, managing courthouses. I'd like to meet them, all the same. Hans was a strong man who had learned to rein himself in. Watching him, Rebecca saw in his eyes a familiar flash of anger at her insistence. He controlled it by an effort of will. I'll arrange something, he said. Perhaps we'll all go to a bar one evening. Hans had been the first man Rebecca met who matched up to her father. He was confident and authoritative, but he always listened to her. He had a good jobnot many people had a car of their own in East Germanyand men who worked in the government were usually hardline Communists, but Hans, surprisingly, shared Rebecca's political skepticism. Like her father he was tall, handsome, and well dressed. He was the man she had been waiting for. Only once during their courtship had she doubted him, briefly. They had been in a minor car crash. It had been wholly the fault of the other driver, who had come out of a side street without stopping. Such things happened every day, but Hans had been mad with rage. Although the damage to...

Praise for Edge of Eternity* *

"[Follett] is a commanding storyteller who has taken on an impossibly large task and accomplished it with passion, intelligence, and skill. Like its predecessors, Edge of Eternity is a solid, rigorously researched work of popular fiction. It's an honest entertainment that brings back vivid, sometimes painful, memories of the not-too-distant past." 
—The Washington Post

"Edge of Eternity is as compulsively readable a mighty page-turner as its two predecessors."
—The Seattle Times 

"Hugely ambitious, the trilogy serves as a massive history lesson as well as an example of good, old-fashioned storytelling."
—*The New York Daily News

"Follett never forgets he is telling a story. The historical events are the backdrop but the characters are the focal point. Good storytellers know this and Follett is an excellent one."
—The Huffington Post

"Mesmerizing . . . flowing with spicy, expertly paced melodrama, character-rich exploits, familial histrionics, and international intrigue."
—Publishers Weekly* (starred review)

"Worth the wait. . . . Once again, Follett has written pitch-perfect popular fiction that readers will devour."
—Library Journal (starred review)

"A glorious conclusion to a remarkable trilogy that is wonderful, exhilarating reading for all ages. Fine, fine historical fiction."
—Historical Novel Society 

"Follett does an outstanding job of interweaving and personalizing complicated narratives set on a multicultural stage."
—Booklist

"Follett . . . knows how to turn in a robust yarn without too much slack . . . a well-written entertainment."
—Kirkus Reviews

"A fascinating, sprawling, epic conclusion to Ken Follett's Century Trilogy."
—The Minneapolis Star Tribune 

Praise for Winter of the World*

• "This book is truly epic. . . . The reader will probably wish there were a thousand more pages."
  —The Huffington Post

  "Some of the biggest-picture fiction being written today."
  —The Seattle Times

  "Follett's real gifts are those of a natural storyteller: swift, cinematic pacing, the ability to juggle multiple narratives coherently, and an eye for the telling detail . . . a consistently compelling portrait of a world in crisis."
  —The Washington Post

  "Gripping . . . powerful." 
  —The New York Times

  "Masterfully sweeping stories . . . political intrigue, amorous episodes, suspense, and drama. History comes to life."
  —The Louisville Courier-Journal 

  "Follett is so good at plotting a story, even one that takes on such a complex topic as the World War II era. That's what makes Winter of the World so hard to put down. You want to know what happens next."
  —The Associated Press

  "An entertaining historical soap opera."
  *—Kirkus Reviews

  "The man tells a story so well. . . . Follett can make things glow with some beautifully written episodes. . . . If you read Volume I, you'll have to read Volume II. And once you read Volume II, you'll be committed to reading Volume III. See you in a couple of years."
  —St. Louis Post-Dispatch*

  "Clips along at a brisk pace. . . . He knows how to keep the pages turning and how to make the reader feel a kinship with the characters' struggles. . . . No matter the ultimate destination, readers can expect to savor the journey—and agonize while waiting for the final book to arrive."
  —The Christian Science Monitor
  
  Praise for Fall of Giants *
   
  "Follett is masterly in conveying so much drama and historical information so vividly . . . grippingly told."
  —The New York Times Book Review *

  "Fall of Giants: Follett at his finest. . . . [a] sweeping epic that will thrill his fans for hours on end." 
  —The Huffington Post

  "Follett conjures the winds of war."
  —The Washington Post 

  "Tantalizing."
  —Newsday
   
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