Zusatztext 41792677 Informationen zum Autor KAY REDFIELD JAMISON is a professor of psychiatry at the Johns Hopkins University School of Medicine as well as an honorary professor of English at the University of St. Andrews in Scotland. She is the author of the national best sellers An Unquiet Mind, Night Falls Fast, and Touched with Fire . She is coauthor of the standard medical text on manic-depressive illness and author or coauthor of more than one hundred scientific papers about mood disorders, creativity, and psychopharmacology. Dr. Jamison, the recipient of numerous national and international scientific awards, is a John D. and Catherine T. MacArthur Fellow. Klappentext WITH A NEW PREFACE BY THE AUTHORIn her bestselling classic, An Unquiet Mind, Kay Redfield Jamison changed the way we think about moods and madness.Dr. Jamison is one of the foremost authorities on manic-depressive (bipolar) illness; she has also experienced it firsthand. For even while she was pursuing her career in academic medicine, Jamison found herself succumbing to the same exhilarating highs and catastrophic depressions that afflicted many of her patients, as her disorder launched her into ruinous spending sprees, episodes of violence, and an attempted suicide.Here Jamison examines bipolar illness from the dual perspectives of the healer and the healed, revealing both its terrors and the cruel allure that at times prompted her to resist taking medication. An Unquiet Mind is a memoir of enormous candor, vividness, and wisdom-a deeply powerful book that has both transformed and saved lives. Into the Sun I was standing with my head back, one pigtail caught between my teeth, listening to the jet overhead. The noise was loud, unusually so, which meant that it was close. My elementary school was near Andrews Air Force Base, just outside Washington; many of us were pilots' kids, so the sound was a matter of routine. Being routine, however, didn't take away from the magic, and I instinctively looked up from the playground to wave. I knew, of course, that the pilot couldn't see me-I always knew that-just as I knew that even if he could see me the odds were that it wasn't actually my father. But it was one of those things one did, and anyway I loved any and all excuses just to stare up into the skies. My father, a career Air Force officer, was first and foremost a scientist and only secondarily a pilot. But he loved to fly, and, because he was a meteorologist, both his mind and his soul ended up being in the skies. Like my father, I looked up rather more than I looked out. When I would say to him that the Navy and the Army were so much older than the Air Force, had so much more tradition and legend, he would say, Yes, that's true, but the Air Force is the future. Then he would always add: And-we can fly. This statement of creed would occasionally be followed by an enthusiastic rendering of the Air Force song, fragments of which remain with me to this day, nested together, somewhat improbably, with phrases from Christmas carols, early poems, and bits and pieces of the Book of Common Prayer: all having great mood and meaning from childhood, and all still retaining the power to quicken the pulses. So I would listen and believe and, when I would hear the words "Off we go into the wild blue yonder," I would think that "wild" and "yonder" were among the most wonderful words I had ever heard; likewise, I would feel the total exhilaration of the phrase "Climbing high, into the sun" and know instinctively that I was a part of those who loved the vastness of the sky. The noise of the jet had become louder, and I saw the other children in my second-grade class suddenly dart their heads upward. The plane was coming in very low, then it streaked past us, scarcely missing the playground. As we stood there clumped together and absolutely terrified, it flew into the trees, exploding ...

“An invaluable memoir of manic depression, at once medically knowledgeable, deeply human and beautifully written . . . at times poetic, at times straightforward, always unashamedly honest.”
—The New York Times Book Review
 
“Stands alone in the literature of manic-depression for its bravery, brilliance and beauty.”
—Oliver Sacks
 
“Jamison’s [strength] is in the gutsy way she has made her disease her life’s work and in her brilliant ability to convey its joys and its anguish. . . . Extraordinary.”
—Washington Post Book World
 
“The most emotionally moving book I’ve ever read about the emotions.”
—William Safire, The New York Times Magazine
 
“Written with poetic and moving sensitivity . . . a rare and insightful view of mental illness from inside the mind of a trained specialist.”
—Time
 
“Enlighting . . . eloquent and profound.”
—San Francisco Chronicle
 
“Piercingly honest. . . . Jamison’s literary coming-out is a mark of courage.”
—People
 
“Brave, insightful, richly textured and chillingly authentic.”
—Boston Globe
 
“A riveting portrayal of a courageous brain alternating between exhilarating highs and numbing lows.”
—James D. Watson, Nobel laureate and author of The Double Helix
 
“In a most intimate and powerful telling, Jamison weaves the personal and professional threads of her life together. . . . [She] brings us inside the disease and helps us understand manic depression. . . . What comes through is a remarkably whole person with the grit to defeat her disease.”
—Cleveland Plain Dealer
 
“A riveting read. I devoured it at a single sitting and found the book almost as compelling on a second read. . . . An Unquiet Mind may well become a classic. . . . Jamison sets an example of courage.”
—Howard Gardner, Nature
 
“Stunning. . . . [An] exquisite (in both a literary and medical sense) autobiography. . . . This is an important, wonderful book.”
—Jackson Clarion Ledger
 
“Extraordinary. . . . An Unquiet Mind must be read.”
—The New England Journal of Medicine
 
“A beautiful, funny, original book. Powerfully written, it is a wonderful and important account of mercurial moods and madness. I absolutely love this book.”
—Pat Conroy, author of The Prince of Tides
 
“A landmark. . . . The combination of the intensity of her personal life and the intellectual rigor of her professional experience make the book unique. . . . A vibrant and engaging account of the life, love and experience of a woman, a therapist, an academic, and a patient.”
—British Medical Journal
 
“Affecting, honest, touching . . . fluid, felt and often lyrical.”
—Will Self, The Observer (London)
 
“Quite astonishing. . . . Cuts through the dead jargon and detached observations of psychiatric theory and practice to create a fiery, passionate, authentic account of the devastation and exaltation, the blindness and illumination of the psychotic experience.”
—The Sunday Times (London)
 
“Rises to the poetic and has a mystical touch. . . . A courageous and fascinating book, a moving account of the life of a remarkable woman.”
—The Daily Telegraph (London)
 
“Fast-paced, startlingly honest and frequently lyrical. . . . Jamison has] a novelist’s openness of phrase and talent for bringing character alive.”
—Scotland on Sunday
 
“Superbly written. . . . A compelling work of literature.”
—Independent on Sunday (London)

Autorentext
KAY REDFIELD JAMISON is a professor of psychiatry at the Joh…