Zusatztext "Riveting! moving . . . a wonderful book." --Nora Ephron! The New York Times Book Review "Disarmingly candid and immensely readable." -- Time "Captivating . . . distinguished by a level of introspection that ought to be! but rarely is! the touchstone of autobiography." -- Newsday Informationen zum Autor Katharine Graham Klappentext The captivating, inside story of the woman who helmed the Washington Post during one of the most turbulent periods in the history of American media. Winner of the Pulitzer Prize for Biography In this bestselling and widely acclaimed memoir, Katharine Graham, the woman who piloted the Washington Post through the scandals of the Pentagon Papers and Watergate, tells her story-one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling. Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband-a confidant to John F. Kennedy and Lyndon Johnson-plunge into the mental illness that would culminate in his suicide. And here is the widow who shook off her grief and insecurity to take on a president and a pressman's union as she entered the profane boys' club of the newspaper business. As timely now as ever, Personal History is an exemplary record of our history and of the woman who played such a shaping role within them, discovering her own strength and sense of self as she confronted-and mastered-the personal and professional crises of her fascinating life. Leseprobe From Chapter One My parents' paths first crossed in a museum on 23rd Street in New York. It was Lincoln's Birthday, 1908. Eugene Meyer, who was thirty-two years old, had been in business for himself for only a few years, but had already made several million dollars. Agnes Ernst, just twenty-one and a recent graduate of Barnard, was strikingly beautiful. She was earning her own living and helping to support her family as well by her free-lance work for a newspaper, the old New York Sun. She was also interested in the art world, which was what brought her to the exhibit of Japanese prints. Both her interests and her work were unusual for a woman in those days. On his way down to Wall Street, my father, who was driving a Stanley Steamer, one of the earliest automobiles, noticed an acquaintance whom he didn't especially like. But Edgar Kohler looked frail and dejected and my father felt sorry for him, so he offered him a ride, mentioning that he was going to stop off at a Japanese-print exhibit. Kohler decided to accompany him. Going into the gallery, they met two friends coming out, who assessed the exhibition this way: "There's a girl walking around who's better-looking than anything on the walls." Once inside, Kohler and my father immediately spotted her -- a tall young woman with fair hair and blue eyes, clearly strong, dynamic, and self-assured. My mother always remembered what she was wearing that day, because she felt that her "costume," as she called it, had played a part in her destiny. She must have been quite a sight m her gray tweed suit and small squirrel cap adorned with an eagle feather. My father, on seeing her, said to Kohler, "That's the girl I'm going to marry." Are you serious?" Kohler asked, to which my father responded, "I was never more serious in my whole life." Kohler, supposing that they'd never run into her :again, suggested that my father speak to her. "No. That would offend her and spoil everything," my father replied. The two men then agreed that whoever subsequently might meet her first would introduce her to the other. Just a week later, Kohler called my father and said, "Guess what happened?" "You met the girl," was the ready answer. "Damn you, I did," Kohler responded. He had been to a party at the...

"Riveting, moving . . . a wonderful book." --Nora Ephron, The New York Times Book Review

"Disarmingly candid and immensely readable." --Time

"Captivating . . . distinguished by a level of 
introspection that ought to be, but rarely is, the touchstone of autobiography." --Newsday

Autorentext

Katharine Graham

Klappentext

The captivating, inside story of the woman who helmed the Washington Post during one of the most turbulent periods in the history of American media.

Winner of the Pulitzer Prize for Biography

In this bestselling and widely acclaimed memoir, Katharine Graham, the woman who piloted the Washington Post through the scandals of the Pentagon Papers and Watergate, tells her story-one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling.

Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband-a confidant to John F. Kennedy and Lyndon Johnson-plunge into the mental illness that would culminate in his suicide. And here is the widow who shook off her grief and insecurity to take on a president and a pressman's union as she entered the profane boys' club of the newspaper business.

As timely now as ever, Personal History is an exemplary record of our history and of the woman who played such a shaping role within them, discovering her own strength and sense of self as she confronted-and mastered-the personal and professional crises of her fascinating life.

Zusammenfassung
****#1 NATIONAL BESTSELLER **• PULITZER PRIZE WINNER • The captivating inside story of the woman who helmed the Washington Post during one of the most turbulent periods in the history of American media: the scandals of the Pentagon Papers and Watergate
**
In this widely acclaimed memoir ("Riveting, moving...a wonderful book" The New York Times Book Review), Katharine Graham tells her story—one that is extraordinary both for the events it encompasses and for the courage, candor, and dignity of its telling.

Here is the awkward child who grew up amid material wealth and emotional isolation; the young bride who watched her brilliant, charismatic husband—a confidant to John F. Kennedy and Lyndon Johnson—plunge into the mental illness that would culminate in his suicide. And here is the widow who shook off her grief and insecurity to take on a president and a pressman’s union as she entered the profane boys’ club of the newspaper business.

As timely now as ever, Personal History is an exemplary record of our history and of the woman who played such a shaping role within them, discovering her own strength and sense of self as she confronted—and mastered—the personal and professional crises of her fascinating life.

Leseprobe
From Chapter One

My parents' paths first crossed in a museum on 23rd Street in New York. It was Lincoln's Birthday, 1908. Eugene Meyer, who was thirty-two years old, had been in business for himself for only a few years, but had already made several million dollars. Agnes Ernst, just twenty-one and a recent graduate of Barnard, was strikingly beautiful. She was earning her own living and helping to support her family as well by her free-lance work for a newspaper, the old New York Sun. She was also interested in the art world, which was what brought her to the exhibit of Japanese prints. Both her interests and her work were unusual for a woman in those days.

On his way down to Wall Street, my father, who was driving a Stanley Steamer, one of the earliest automobiles, noticed an acquaintance whom he didn't especially like. But Edgar Kohler looked frail and dejected and my father felt sorry for him, so he offered him a ride, mentioning that he was going to stop off at a Japanese-print exhibit. Kohler decided to accompany him.

Going into the gallery, they met two friends coming out, who assessed the exhibition this way: "There's a girl walking around who's be…