This book uses acoustics, psychophysics, and neurobiology to explore the physical systems and biological processes that intervene when we hear music. It incorporates the latest findings in brain science and tone generation in musical instruments.

This book, a classic in its field, deals with the physical systems and physiological processes that intervene in music. It analyzes what objective, physical properties of sound are associated with what subjective psychological sensations of music, and it describes how these sound patterns are actually generated in musical instruments, how they propagate through the environment, and how they are detected by the ear and interpreted in the brain. Using the precise language of science, but without complicated mathematics, the author weaves a close mesh of the physics, psychophysics and neurobiology relevant to music. A prior knowledge of physics, mathematics, neurobiology or psychology is not required to understand most of the book; it is, however, assumed that the reader is familiar with music - in particular, with musical notation, musical scales and intervals, and some of the basics of musical instruments. This new edition presents substantially updated coverage of psychoacoustics, including:

• New results from tomographic imaging of brain function that confirm some speculations in previous editions

• New research on consciousness and emotions

• The possibility of musics in extraterrestrial civilizations

Much of the book is accessible with no prior knowledge of physics, mathematics, physiology or psychology; more advanced mathematics is given in appendixes This new edition of a best-selling introduction contains substantially revised coverage of psychoacoustics, including new research in functional MRI, consciousness, and emotion The only existing single-authored, truly interdisciplinary, up-to-date text on musical tone generation and perception Earlier editions translated into German, Spanish, Portuguese and Japanese Offers the opportunity to non-scientists to learn about and appreciate the beauty of science, and offers the opportunity to scientists to learn and appreciate the intimate relationship between science and art

Autorentext

The author is a space scientist of international reputation with a close and active relation with music (he studied organ with the late maestros Héctor Zeoli in Buenos Aires and Hans Jendis in Göttingen), who organized and directed the international workshops on the Neuropsychological Foundations of Music at the Carinthian Music Festivals in Ossiach, Austria. These workshops, held regularly between 1973 and 1985, have been credited as being the originators of the interdisciplinary approach to the study of music perception. In 2007 he was invited to deliver the opening lecture on Music and the Evolution of Human Brain Function at the international congress Mozart and Science in Baden/Vienna, Austria.

Inhalt
The Science of Music and the Music of Science: A Multidisciplinary Overview.- Sound Vibrations, Pure Tones, and the Perception of Pitch.- Sound Waves, Acoustic Energy, and the Perception of Loudness.- Generation of Musical Sounds, Complex Tones, and the Perception of Timbre.- Superposition and Successions of Complex Tones and the Integral Perception of Music.