Informationen zum Autor Joseph Sheridan Le Fanu was the leading Gothic horror writer during the nineteenth century. Born in Ireland in 1814, he grew up in a literary family and began writing for the Dublin University Magazine in 1838. He published his first ghost story, "The Ghost and the Bone-Setter," in 1838. His most notable work, Carmilla, published in 1872, was the inspiration for Bram Stoker's Dracula. Le Fanu's other notable works include The House by the Churchyard (1863), Wylder's Hand (1864), Uncle Silas: A Tale of Bartram-Haugh (1864), Guy Deverell (1865), and In a Glass Darkly (1871). Le Fanu is widely considered to be the father of the English ghost story. He died in 1873, one year after his most prolific work, Carmilla, was published. It is rumored that he "died of fright." Klappentext Carmilla is an 1872 Gothic novella by Irish author Joseph Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years.First published as a serial in The Dark Blue (1871-72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist.The novella notably never acknowledges homosexuality as an antagonistic trait, leaving it subtle and relatively unmentioned. The story is often anthologized and has been adapted many times in film and other media.

Klappentext

Carmilla is an 1872 Gothic novella by Irish author Joseph Sheridan Le Fanu and one of the early works of vampire fiction, predating Bram Stoker's Dracula (1897) by 26 years. First published as a serial in The Dark Blue (1871-72), the story is narrated by a young woman preyed upon by a female vampire named Carmilla, later revealed to be Mircalla, Countess Karnstein (Carmilla is an anagram of Mircalla). The character is a prototypical example of the lesbian vampire, expressing romantic desires toward the protagonist. The novella notably never acknowledges homosexuality as an antagonistic trait, leaving it subtle and relatively unmentioned. The story is often anthologized and has been adapted many times in film and other media.