This book examines the complicated place of animals in literary analysis and education and shows how an ethically engaged approach to animals' representation could be pursued to challenge anthropocentrism and cultivate multispecies empathy. Other species are represented in the literary education canon, including farmed animals. Yet the animals are typically anthropomorphized to guide students toward humanist readings and away from consideration of animals' experiences or subjectivities. This reproduces the idea that animals are mere objects meant to be exploited for human purposes, even metaphorical and educational ones. John Drew develops the term anthropo-allegory to capture and critique the process through which students are taught to read animal literary representations exclusively as symbolic analogues for humans and human themes. The concept serves as an analytical lens for critically interrogating significant texts taught across educational levels and exposing the deeply engrained educational anthropocentrism that silences animal issues, even when animals are represented. Crucially, Drew identifies texts and pedagogical strategies that can help cultivate a literary educational animal ethic that simultaneously encourages analytical rigour and multispecies concern.

Examines the ethical and ontological limits of humanistic and anthropocentric literary education Documents how literary humanist erasures of animals reverberate through literary education Proposes a reconceptualization of humanist literary education that challenges entrenched anthropocentric practices

Autorentext

John Drew has a PhD from Western University and is a Fellow of the Oxford Centre for Animal Ethics.

Inhalt

Chapter 1 Introduction: Towards a Counter-Anthropocentric Multispecies Literacy.- Chapter 2 Navigating the Webs of Empathy in Charlotte's Web.- Chapter 3 Beyond Literary Anthropocentrism: Reading and Teaching Animal Farm Beyond the Anthropo-allegorical Frame.- Chapter 4 In Search of the Better Story: Confronting the Anthropo-allegorical Limits of Humanism in Yann Martel's Life of Pi.- Chapter 5 Affective Anthropomorphic Visions: Global Neoliberal Ecocide and Animal Capital in Barbara Gowdy's The White Bone and Bong Joon-Ho's Okja.- Chapter 6 Conclusion.