*"A novel of science, love, espionage, beautiful writing, and a heroine who carves a strong path in the world of men. As far as I'm concerned there is nothing left to want."--Ann Patchett, author The Dutch House*

"A highly-charged love story that reveals the dangerous energy at the heart of every real connection...Riveting."--Delia Owens, author of Where the Crawdads Sing

Love. Desire. Betrayal. Her choice could save a nation.**

Chicago, 1950. Rosalind Porter has always defied expectations--in her work as a physicist on the Manhattan Project and in her passionate love affair with colleague Thomas Weaver. Five years after the end of both, her guilt over the bomb and her heartbreak over Weaver are intertwined. She desperately misses her work in the lab, yet has almost resigned herself to a more conventional life.

Then Weaver gets back in touch--and so does the FBI. Special Agent Charlie Szydlo wants Roz to spy on Weaver, whom the FBI suspects of passing nuclear secrets to the enemy. Roz helped to develop these secrets and knows better than anyone the devastating power such knowledge holds. But can she spy on a man she still loves, despite her better instincts? At the same time, something about Charlie draws her in. He's a former prisoner of war haunted by his past, just as her past haunts her.

As Rosalind's feelings for each man deepen, so too does the danger she finds herself in. She will have to choose: the man who taught her how to love . . . or the man her love might save?

Autorentext

Jennie Fields

Leseprobe

chapter one

The hot touch of the city still on her, Rosalind unfastens her stockings and drops them in the bathroom sink with a handful of washing soda. A habit from the war years. She made it through 1942 to 1944 with two stalwart pairs because she treated them like rare orchids. Jesus. She knew girls who had to draw lines up the backs of their legs because they'd torn their last pair and couldn't buy new. Lines that by two p.m. were smeared like lipstick after a desperate kiss.

One didn't lose the feel of the war, the rationing, the terror of opening the newspaper each morning and seeing the worst. Rosalind would never forget the sting in her throat watching the man next door weep as he changed the blue star on his Sons in Service flag to gold. There were no sons in her family, but she and Louisa did their bit. For a while Louisa polished torpedoes in a defense plant. And what Rosalind did one might say ended the war altogether. But she knows it will haunt her until she dies.

c c c

These days she stands behind the Used and Antique Jewelry counter at Marshall Field's department store, sorting and selling. There are lives entwined in the artifacts she peddles: tucked behind an oval of glass on the back of a Victorian brooch, a perfectly braided plait of silver hair from someone's mother. A ring glittering with a row of gems-a ruby, emerald, garnet, amethyst, another ruby, and a diamond-the first letters of each spelling "regard." Georgian men gave these rings to women they loved but couldn't marry. Rosalind can't help wondering about a woman who'd wear evidence of love she could never fully possess.

Rosalind is a scientist. After the war, returning GIs took the important jobs back from women. You can go now. We've returned. Chances are she'd have lost her spot even if things hadn't gone wrong with Weaver. It doesn't mean she doesn't miss her days in the lab.

On her way home, stepping out of Field's tonight, tired and sad, she passed an extraordinarily tall man leaning against the Summer Frolic! window. He was openly staring at her with remarkable blue eyes. At Wabash, she glimpsed him again. When she crossed Erie, there he was, his fedora pulled low over his brow, hurrying to catch the light. Broad shouldered. Powerful-looking, with a purposeful stride. That's when Rosalind noticed he was pressing his left wrist against his ribs-like a woman holding a purse to keep it from being stolen. A war injury, maybe? He must have trailed her onto Lake Shore Drive, for when she turned down the street to her entrance, she caught a flash of blue eyes watching from across the street.

Frank, her doorman, ushered her in. "Miss Porter. Best time of year, isn't it?"

Maybe that fellow was just going her way, a coincidence. All through the war, men flirted with her until they found out what she did. Braininess always blunted her appeal. Now that she's thirty years old and still unmarried, people have begun to call her "handsome." She hates the damn word. It would bolster her self-esteem to have a stranger find her attractive. Her biggest fear is that she will become that woman-the one who lives alone, whom no one notices when she walks down the street. A woman who's become invisible, negligible. Poor Miss Porter. She never had much of a life.

c c c

Cranking all the living room windows open, she invites the lake breeze into the room. No matter where she's gone to follow work (and Weaver, God help her)-Tennessee, Washington, the deserts of New Mexico-she always ached to return to this glittering lakefront, its sailboats and towering buildings.

Shucking her blouse, removing her brassiere, she lets the breeze chill her perspiring skin. Living on the nineteenth floor, facing the water, no one can see her. She does this every hot night, a ritual that lets her momentarily wear the cool breath of the lake. Her nipples harden in the draft. Her hair lifts off her shoulders. Once, she was a sensual woman, a woman who'd learned to seek pleasure. It was her secret. And the desire for pleasure hasn't stopped, just the means to satisfy it. Between her naked breasts dangles the chain Weaver gave her long ago, a tiny gold-and-platinum box swinging from it. She's rejected all that pertained to Weaver except this, an antique he brought back from England. The miniature box has a lid that can be opened. A shredding piece of parchment hides within, the word "Patience" written on it in faded brown ink. She should give the necklace up. She should forget about Weaver forever. Wearing this trinket is hardly better than a woman cherishing a regard ring. But what she should do and what she is capable of doing are often two sides to an unsolvable equation.

Having lost her job with the project, she can now barely scrape together enough money for the Lake Shore Drive apartment she rented with such ambitious dreams. She'd broken into the top echelons of science. Nobelist Enrico Fermi mentored her, believed in her, counted on her. He'd turned his prized student into an asset. And for a while she got to swim in the warm waters of elemental discovery, all while earning more money than most women could ever expect. The apartment's dazzling view, the neat kitchen with its modern pullout range, the doorman, and the in-house commissary remind her that once she was no ordinary girl. Now she feels less than ordinary. But at least her present job won't end up killing more than 150,000 people.

c c c

In the midst of supper, her telephone rings. Having gone to the trouble of baking a pork chop, as thin and sad as it is, she's not going to answer the damn phone. Later, after the dishes are washed and she's taken her bath, the phone rings again. She knows who it is. Louisa never calls past nine. Her girlfriends are too exhausted by their children to ring at this hour. Her best pal, Zeke, is out of town. She feels her jaw tighten. She could decide not to answer. But the curious scientist in her can't tolerate unanswered questions or telephones.

"Hello?"

"Rosalind."

She takes the gut punch of the mellifluous voice, the crisp British accent. He's called three times this week.

"Roz. Are you there?"

"What do you want?" she asks.

"You." She feels sick. He is everything she abhors. And everything she craves.

"Weaver, leave me alone. I mean it."

"Listen. I…