

Beschreibung
Informationen zum Autor J. D. Robb is the pseudonym for a #1 New York Times bestselling author of more than 200 novels, including the bestselling In Death series. There are more than 500 million copies of her books in print. Klappentext "IF YOU HAVEN'T READ RO...Informationen zum Autor J. D. Robb is the pseudonym for a #1 New York Times bestselling author of more than 200 novels, including the bestselling In Death series. There are more than 500 million copies of her books in print. Klappentext "IF YOU HAVEN'T READ ROBB, THIS IS A GREAT PLACE TO START."-Stephen King "A WITTY, DARK, PAGE-TURNING TALE OF FUTURISTIC CRIME FIGHTING. RAYMOND CHANDLER MEETS BLADE RUNNER MEETS SILENCE OF THE LAMBS."-Jonathan Kellerman New York City, 2060: Lieutenant Eve Dallas never forgets a corpse. Her new case will resurrect the memories of women she couldn't save-and the killer who slipped out of her grasp When the body of a young brunette is found in East River Park, artfully positioned and marked by signs of prolonged and painful torture, Lieutenant Eve Dallas is catapulted back to a case nine years earlier. The city was on edge from a killing spree that took the lives of four women in fifteen days, courtesy of a man the media tagged "The Groom"-because he put silver rings on the fingers of his victims. But this time, it becomes chillingly clear that the killer has made his attack personal. The young woman was employed by Eve's billionaire husband, Roarke, washed in products from a store Roarke owns, and laid out on a sheet his company manufactures. Chances are, The Groom is working up to the biggest challenge of his illustrious career-abducting a woman who will test his skills and who promises to give him days and days of pleasure before she dies: Eve. Leseprobe Prologue For him, death was a vocation. Killing was not merely an act, or a means to an end. It certainly was not an impulse of the moment or a path to gain and glory. Death was, in and of itself, the all. He considered himself a late bloomer, and often bemoaned the years before he'd found his raison d'être. All that time lost, all those opportunities missed. But still, he had bloomed, and was forever grateful that he had finally looked inside himself and seen what he was. What he was meant for. He was a maestro in the art of death. The keeper of time. The bringer of destiny. It had taken time, of course, and experimentation. His mentor's time had run out long before he himself had become the master. And even in his prime, his teacher had not envisioned the full scope, the full power. He was proud that he had learned, had not only honed his skills but had expanded them while perfecting his techniques. He'd learned, and learned quickly, that he preferred women as his partners in the duet. In the grand opera he wrote, and rewrote, they outperformed the men. His requirements were few, but very specific. He didn't rape them. He'd experimented there, as well, but had found rape distasteful and demeaning to both parties. There was nothing elegant about rape. As with any vocation, any art that required great skill and concentration, he'd learned he required holidayswhat he thought of as his dormant periods. During them he would entertain himself as anyone might on a holiday. He would travel, explore, eat fine meals. He might ski or scuba dive, or simply sit under an umbrella on a lovely beach and while away the time reading and drinking mai tais. He would plan, he would prepare, he would make arrangements . By the time he went back to work, he was refreshed and eager. As he was now, he thought as he readied his tools. More, so much more ... with his latest dormant period had come the understanding of his own destiny. So he'd gone back to his roots. And there, where he had first seriously plied his trade, he would re-form and remake connections before the curtain came down. It added so many interesting layers, he mused, as he tested the edge on an antique switchblade with a horn handle he'd purchased while touring Italy. He turned the steel blade to the light, admired it. Circa nineteen fifty-three, h...
Autorentext
J. D. Robb is the pseudonym for a #1 New York Times bestselling author of more than 200 novels, including the bestselling In Death series. There are more than 500 million copies of her books in print.
Klappentext
"IF YOU HAVEN'T READ ROBB, THIS IS A GREAT PLACE TO START."-Stephen King
"A WITTY, DARK, PAGE-TURNING TALE OF FUTURISTIC CRIME FIGHTING. RAYMOND CHANDLER MEETS BLADE RUNNER MEETS SILENCE OF THE LAMBS."-Jonathan Kellerman
New York City, 2060: Lieutenant Eve Dallas never forgets a corpse. Her new case will resurrect the memories of women she couldn't save-and the killer who slipped out of her grasp…
When the body of a young brunette is found in East River Park, artfully positioned and marked by signs of prolonged and painful torture, Lieutenant Eve Dallas is catapulted back to a case nine years earlier. The city was on edge from a killing spree that took the lives of four women in fifteen days, courtesy of a man the media tagged "The Groom"-because he put silver rings on the fingers of his victims.
But this time, it becomes chillingly clear that the killer has made his attack personal. The young woman was employed by Eve's billionaire husband, Roarke, washed in products from a store Roarke owns, and laid out on a sheet his company manufactures. Chances are, The Groom is working up to the biggest challenge of his illustrious career-abducting a woman who will test his skills and who promises to give him days and days of pleasure before she dies: Eve.
Zusammenfassung
**“IF YOU HAVEN’T READ ROBB, THIS IS A GREAT PLACE TO START.”—Stephen King
“A WITTY, DARK, PAGE-TURNING TALE OF FUTURISTIC CRIME FIGHTING. RAYMOND CHANDLER MEETS BLADE RUNNER MEETS SILENCE OF THE LAMBS.”—Jonathan Kellerman
New York City, 2060: Lieutenant Eve Dallas never forgets a corpse. Her new case will resurrect the memories of women she couldn’t save—and the killer who slipped out of her grasp…**
When the body of a young brunette is found in East River Park, artfully positioned and marked by signs of prolonged and painful torture, Lieutenant Eve Dallas is catapulted back to a case nine years earlier. The city was on edge from a killing spree that took the lives of four women in fifteen days, courtesy of a man the media tagged “The Groom”—because he put silver rings on the fingers of his victims.
But this time, it becomes chillingly clear that the killer has made his attack personal. The young woman was employed by Eve’s billionaire husband, Roarke, washed in products from a store Roarke owns, and laid out on a sheet his company manufactures. Chances are, The Groom is working up to the biggest challenge of his illustrious career—abducting a woman who will test his skills and who promises to give him days and days of pleasure before she dies: Eve.
Leseprobe
Prologue For him, death was a vocation. Killing was not merely an act, or a means to an end. It certainly was not an impulse of the moment or a path to gain and glory. Death was, in and of itself, the all. He considered himself a late bloomer, and often bemoaned the years before he’d found his raison d’être. All that time lost, all those opportunities missed. But still, he had bloomed, and was forever grateful that he had finally looked inside himself and seen what he was. What he was meant for. He was a maestro in the art of death. The keeper of time. The bringer of destiny. It had taken time, of course, and experimentation. His mentor’s time had run out long before he himself had become the master. And even in his prime, his teacher had not envisioned the full scope, the full power. He was proud that he had learned, had not only honed his skills but had expanded them while perfecting his techniques. He’d learned, and learned quickly, that he preferred women as his partners in the duet. In the grand opera he wrote, and rewrote, they outperformed the men. His requirements were few, but very specifi…
