**Praise for Isabel Allende and *A Long Petal of the Sea

“One of the strongest and most affecting works in [Isabel Allende’s] long career.”**—*The New York Times Book Review

“Another gift of epic storytelling . . . A Long Petal of the Sea is a love story for these times.”—NPR

“A return to the time and setting of the book that jump-started her literary career, The House of the Spirits . . . a page-turning story rich with history.”—Los Angeles Times

“A historical love story penned in the lush and propulsive prose familiar to Allende’s millions of fans worldwide, it . . . feels excitingly new and unerringly timely for this international superstar of an author.”—San Francisco Chronicle

“Love and war shape everything in Allende’s sweeping, splendid new novel. . . . This is her best book in years, one she has poured all of her prodigious passion and talent into.”—Minneapolis Star-Tribune

“[Allende] writes with surpassing compassion and insight. Her place as an icon of world literature was secured long ago. She will be celebrated, by readers and writers alike, for generations to come.”—Khaled Hosseini

“This gorgeous novel, like all the best novels, transports the reader to another time and place and sheds light on the way we live now. Allende is a legend, and this might be her finest book yet.”—J. Courtney Sullivan

“Majestic . . . both timeless and perfectly timed for today.”—Publishers Weekly (starred review)

“In this transporting novel, Allende is as transcendent and life-affirming as ever.”—Esquire

Autorentext

Isabel Allende

Klappentext

"This sweeping novel from the New York Times bestselling author of A Long Petal of the Sea tells the epic story of Violeta Del Valle, a woman whose life spans one hundred years and bears witness to the greatest upheavals of the twentieth century"--

Zusammenfassung
**NEW YORK TIMES BESTSELLER • This sweeping novel from the author of A Long Petal of the Sea tells the epic story of Violeta Del Valle, a woman whose life spans one hundred years and bears witness to the greatest upheavals of the twentieth century.

“An immersive saga about a passion-filled life.”—People**

ONE OF THE BEST BOOKS OF THE YEAR: PopSugar, Real Simple, Reader’s Digest

Violeta comes into the world on a stormy day in 1920, the first girl in a family with five boisterous sons. From the start, her life is marked by extraordinary events, for the ripples of the Great War are still being felt, even as the Spanish flu arrives on the shores of her South American homeland almost at the moment of her birth.

Through her father’s prescience, the family will come through that crisis unscathed, only to face a new one as the Great Depression transforms the genteel city life she has known. Her family loses everything and is forced to retreat to a wild and beautiful but remote part of the country. There, she will come of age, and her first suitor will come calling.

She tells her story in the form of a letter to someone she loves above all others, recounting times of devastating heartbreak and passionate affairs, poverty and wealth, terrible loss and immense joy. Her life is shaped by some of the most important events of history: the fight for women’s rights, the rise and fall of tyrants, and ultimately not one, but two pandemics.

Through the eyes of a woman whose unforgettable passion, determination, and sense of humor carry her through a lifetime of upheaval, Isabel Allende once more brings us an epic that is both fiercely inspiring and deeply emotional.

Leseprobe
1

I came into the world one stormy Friday in 1920, the year of the scourge. The evening of my birth the electricity went out, something that often happened during storms, so they lit candles and kerosene lamps, which were always kept on hand for these types of emergencies. María Gracia, my mother, began to feel the contractions—a sensation she knew well since she’d already birthed five sons—and she surrendered to the pain, resigned to bringing another male into the world with the help of her sisters, who had assisted her through the difficult process several times. The family doctor had been working tirelessly for weeks in one of the field hospitals and she felt it imprudent to call him for something as prosaic as childbirth. On previous occasions they had used a midwife, always the same one, but the woman had been among the first to fall victim to the flu and they didn’t know of anyone else.

To my mother it seemed she’d spent the entirety of her adult life either pregnant, recovering from childbirth, or convalescing after a miscarriage. Her oldest son, José Antonio, had turned seventeen, she was sure of that, because he had been born the same year as one of our worst earthquakes, which knocked half the country to the ground and left thousands of deaths in its wake. But she could never precisely recall the ages of her other sons nor how many pregnancies she’d failed to carry to term. Each miscarriage had left her incapacitated for months and after each birth she’d felt exhausted and melancholic for a long while. Before getting married she had been the most beautiful debutante in the capital—slender, with an unforgettable face, green eyes, and translucent skin—but the extremes of motherhood had distorted her body and drained her spirit.

She loved her sons, in theory, but in practice she preferred to keep them at a comfortable distance. The exuberant band of boys was as disruptive as a battle in her peaceful feminine realm. She’d once admitted during confession that she felt doomed to bear only sons, like a curse from the Devil. In penitence she was ordered to recite a rosary every day for two years straight and to make a sizable donation to the church renovation fund. Her husband forbade her from returning to confession.

Under my aunt Pilar’s direction, Torito, the boy we employed for a wide range of chores, climbed a ladder to hang a labor sling from two steel hooks that he himself had installed in the ceiling. My mother, kneeling in her nightdress, each hand pulling at a strap, pushed for what felt like an eternity, cursing like a pirate, using words she’d never utter under normal circumstances. My aunt Pía, crouched between her legs, waited to receive the newborn baby before he could fall to the floor. She had already prepared the infusions of nettle, artemisia, and rue for after the birth. The clamor of the storm, which beat against the shutters and ripped tiles from the roof, drowned out the low moans and then the long final scream as I began to emerge, first a head, followed by a body covered in mucus and blood, slipping through my aunt’s fingers and crashing down onto the wood floor.

“You’re so clumsy, Pía!” Pilar shouted, holding me up by one foot. “It’s a girl!” she added, surprised.

“It can’t be, check him good,” my mother mumbled, exhausted.

“I’m telling you, sister, she doesn’t have a willy,” Pilar responded.

That night, my father returned home late, after dinner and several hands of cards at the club, and went directly to his room to change his clothes and rub himself down with alcohol as a precautionary measure before greeting his family. He ordered a glass of cognac from the housekeeper on shift, who didn’t think to give him the news because she wasn’t accustomed to speaking to the boss, and then he went to say hello to his wife. The rusty smell of …