Zusatztext "Thompson has presented us with a close view of a world most of us would never encounter. His language is brilliant! his eye remarkable." -- The New York Times Book Review "Superb and terrifying." --Studs Terkel! Chicago Tribune Informationen zum Autor Hunter S. Thompson was born in Louisville, Kentucky, in 1937 and died in Colorado in 2005. He contributed regularly to a wide variety of publications but is probably best known for his work as national-affairs correspondent for Rolling Stone, in which Fear and Loathing in Las Vegas and Fear and Loathing: On the Campaign Trail '72 originally appeared. He originated gonzo journalism, in which the reporter is a part of the story. Fear and Loathing in Las Vegas was made into a major motion picture, directed by Terry Gilliam and starring Johnny Depp. Klappentext Gonzo journalist and literary roustabout Hunter S. Thompson flies with the angelsHell's Angels, that isin this superb and terrifying ( Chicago Tribune ) work of nonfiction. Shattering . . . A truly rough, stomach-turning, yet fascinating view of Pop Sociology. San Francisco Chronicle California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again. Thus begins Hunter S. Thompson's vivid account of his experiences with California's most notorious motorcycle gang, the Hell's Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, For all its uninhibited and sardonic humor, Thompson's book is a thoughtful piece of work. As illuminating now as when originally published in 1967, Hell's Angels is a gripping portrait, and the best account we have of the truth behind an American legend. Roll em, boys California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur . . . The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches . . . like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and none given; show the squares some class, give em a whiff of those kicks they'll never know . . . Ah, these righteous dudes, they love to screw it on . . . Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more . . . tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome...

Autorentext
Hunter S. Thompson was born in Louisville, Kentucky, in 1937 and died in Colorado in 2005. He contributed regularly to a wide variety of publications but is probably best known for his work as national-affairs correspondent for Rolling Stone, in which Fear and Loathing in Las Vegas and Fear and Loathing: On the Campaign Trail ’72 originally appeared. He originated “gonzo journalism,” in which the reporter is a part of the story. Fear and Loathing in Las Vegas was made into a major motion picture, directed by Terry Gilliam and starring Johnny Depp.

Klappentext

Gonzo journalist and literary roustabout Hunter S. Thompson flies with the angels—Hell’s Angels, that is—in this “superb and terrifying” (Chicago Tribune) work of nonfiction.

“Shattering . . . A truly rough, stomach-turning, yet fascinating view of Pop Sociology.”— San Francisco Chronicle

“California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur. . . The Menace is loose again.”

Thus begins Hunter S. Thompson’s vivid account of his experiences with California’s most notorious motorcycle gang, the Hell’s Angels. In the mid-1960s, Thompson spent almost two years living with the controversial Angels, cycling up and down the coast, reveling in the anarchic spirit of their clan, and, as befits their name, raising hell. His book successfully captures a singular moment in American history, when the biker lifestyle was first defined, and when such countercultural movements were electrifying and horrifying America. Thompson, the creator of Gonzo journalism, writes with his usual bravado, energy, and brutal honesty, and with a nuanced and incisive eye; as The New Yorker pointed out, “For all its uninhibited and sardonic humor, Thompson’s book is a thoughtful piece of work.”

As illuminating now as when originally published in 1967, Hell’s Angels is a gripping portrait, and the best account we have of the truth behind an American legend.

Leseprobe
Roll em, boys

California, Labor Day weekend . . . early, with ocean fog still in the streets, outlaw motorcyclists wearing chains, shades and greasy Levis roll out from damp garages, all-night diners and cast-off one-night pads in Frisco, Hollywood, Berdoo and East Oakland, heading for the Monterey peninsula, north of Big Sur . . . The Menace is loose again, the Hell's Angels, the hundred-carat headline, running fast and loud on the early morning freeway, low in the saddle, nobody smiles, jamming crazy through traffic and ninety miles an hour down the center stripe, missing by inches . . . like Genghis Khan on an iron horse, a monster steed with a fiery anus, flat out through the eye of a beer can and up your daughter's leg with no quarter asked and none given; show the squares some class, give em a whiff of those kicks they'll never know . . . Ah, these righteous dudes, they love to screw it on . . . Little Jesus, the Gimp, Chocolate George, Buzzard, Zorro, Hambone, Clean Cut, Tiny, Terry the Tramp, Frenchy, Mouldy Marvin, Mother Miles, Dirty Ed, Chuck the Duck, Fat Freddy, Filthy Phil, Charger Charley the Child Molester, Crazy Cross, Puff, Magoo, Animal and at least a hundred more . . . tense for the action, long hair in the wind, beards and bandanas flapping, earrings, armpits, chain whips, swastikas and stripped-down Harleys flashing chrome as traffic on 101 moves over, nervous, to let the formation pass like a burst of dirty thunder . . .

They call themselves Hell's Angels. They ride, rape and raid like marauding cavalry--and they boast that no police force can break up their criminal motorcycle fraternity.
--True, The Man's Magazine
(August 1965)

They're not bad guys, individually. I tell you one thing: I'd rather have a bunch of Hell's Angels on m…