One of the most influential Gothic novels, The Castle of Otranto established the literary effects associated with the genre: an ancient castle, secret passages, supernatural visitations, an innocent girl threatened with violence, sudden revelations, terror, and excitement. This new edition explores the reasons for the novel's impact.

'Look, my lord! See heaven itself declares against your impious intentions!' The Castle of Otranto (1764) is the first supernatural English novel and one of the most influential works of Gothic fiction. It inaugurated a literary genre that will be forever associated with the effects that Walpole pioneered. Professing to be a translation of a mysterious Italian tale from the darkest Middle Ages, the novel tells of Manfred, prince of Otranto, whose fear of an ancient prophecy sets him on a course of destruction. After the grotesque death of his only son, Conrad, on his wedding day, Manfred determines to marry the bride-to-be. The virgin Isabella flees through a castle riddled with secret passages. Chilling coincidences, ghostly visitations, arcane revelations, and violent combat combine in a heady mix that terrified the novel's first readers. In this new edition Nick Groom examines the reasons for its extraordinary impact and the Gothic culture from which it sprang. The Castle of Otranto was a game-changer, and Walpole the writer who paved the way for modern horror exponents. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

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Nick Groom has published widely for both academic and popular readerships, with particular interest in questions of authenticity and the emergence of national and regional identity. His books include The Gothic (2012) for the Very Short Introductions series, The Union Jack: the Story of the British Flag (Atlantic, 2006), and The Seasons: an Elegy for the Passing of the Year (Atlantic, 2013).