Informationen zum Autor Holly Jackson is the #1 New York Times bestselling author of the Good Girl's Guide to Murder series, an international sensation with millions of copies sold worldwide, as well as Five Survive and The Reappearance of Rachel Price. She graduated from the University of Nottingham, where she studied literary linguistics and creative writing, with a master's degree in English. She enjoys playing video games and watching true-crime documentaries so she can pretend to be a detective. She lives in London. Klappentext #1 NEW YORK TIMES BESTSELLER • From the author of the multimillion-copy bestselling A Good Girl's Guide to Murder series and Five Survive comes a gripping mystery thriller following one girl's search for the truth about her mother's shocking disappearanceand even more shocking reappearanceduring the filming of a true crime documentary. A COSMOPOLITAN BEST YOUNG ADULT BOOK OF THE YEAR Lights. Camera. Lies. Eighteen-year-old Bel has lived her whole life in the shadow of her mom's mysterious disappearance. Sixteen years ago, Rachel Price vanished and young Bel was the only witness, but she has no memory of it. Rachel is gone, long presumed dead, and Bel wishes everyone would just move on. But the case is dredged up from the past when the Price family agrees to a true crime documentary. Bel can't wait for filming to end, for life to go back to normal. And then the impossible happens. Rachel Price reappears, and life will never be normal again. Rachel has an unbelievable story about what happened to her. Unbelievable, because Bel isn't sure it's real. If Rachel is lying, then where has she been all this time? Andcould she be dangerous? With the cameras still rolling, Bel must uncover the truth about her mother, and find out why Rachel Price really came back from the dead . . . From world-renowned author Holly Jackson comes a mind-blowing masterpiece about one girl's search for the truth, and the terror in finding out who your family really is. Leseprobe ONE What do you think happened to your mother? The word sounded wrong to Bel when he said it. Mother. Unnatural. Not quite as bad as Mom. That one pushed between her lips, misshapen and mad, like a bloated slug finally breaking free, splatting there on the floor for everyone to stare at. Because everyone would, everyone always did. The word didn't belong in her mouth, so Bel didn't say it, not if she could help it. At least there was a coldness to mother, a sense of distance. It's OK, please take your time, Ramsey said, the vowels clipped and exposed. Bel looked across at him, avoiding the camera. Lines of concern crisscrossed his black skin, pulling around his eyes as they fixed on Bel's, because she was already taking her time, too much, more than she had in the pre-­interviews the past few days. He reached up to scratch his temple, right where his dark coiled hair faded out above his ears. Ramsey Lee: filmmaker, director, from South London­ a whole world away, and yet here he was in Gorham, New Hampshire, sitting across from her. Ramsey cleared his throat. Um . . . , Bel began, choking on that slug. I don't know. Ramsey sat back, his chair creaking, and Bel knew from the flicker of disappointment in his face that she was doing a bad job. Worse. It must have been the camera. The camera changed things, the permanence of it. One day thousands of people would watch this, separated from her only by the glass of their television screens. They would analyze every word she said, every pause she took, and have something to say about it. They'd study her face: her warm white skin and the flush of her cheeks, her sharp chin that sharpened more when she spoke and especially when she smiled, her short honey-­blond hair, her...

Autorentext

Holly Jackson is the #1 New York Times bestselling author of the Good Girl’s Guide to Murder series, an international sensation with millions of copies sold worldwide, as well as Five Survive and The Reappearance of Rachel Price. She graduated from the University of Nottingham, where she studied literary linguistics and creative writing, with a master’s degree in English. She enjoys playing video games and watching true-crime documentaries so she can pretend to be a detective. She lives in London.

Klappentext

**#1 NEW YORK TIMES BESTSELLER • From the author of the multimillion-copy bestselling A Good Girl’s Guide to Murder series and Five Survive comes a gripping mystery thriller following one girl's search for the truth about her mother’s shocking disappearance—and even more shocking reappearance—during the filming of a true crime documentary.

A COSMOPOLITAN BEST YOUNG ADULT BOOK OF THE YEAR**

*Lights. Camera. Lies.
*
Eighteen-year-old Bel has lived her whole life in the shadow of her mom’s mysterious disappearance. Sixteen years ago, Rachel Price vanished and young Bel was the only witness, but she has no memory of it. Rachel is gone, long presumed dead, and Bel wishes everyone would just move on.

But the case is dredged up from the past when the Price family agrees to a true crime documentary. Bel can’t wait for filming to end, for life to go back to normal. And then the impossible happens. Rachel Price reappears, and life will never be normal again.

Rachel has an unbelievable story about what happened to her. Unbelievable, because Bel isn’t sure it’s real. If Rachel is lying, then where has she been all this time? And—could she be dangerous? With the cameras still rolling, Bel must uncover the truth about her mother, and find out why Rachel Price really came back from the dead . . .

From world-renowned author Holly Jackson comes a mind-blowing masterpiece about one girl’s search for the truth, and the terror in finding out who your family really is.

Leseprobe
ONE

“What do you think happened to your mother?”

The word sounded wrong to Bel when he said it. Mother. Unnatural. Not quite as bad as Mom. That one pushed between her lips, misshapen and mad, like a bloated slug finally breaking free, splatting there on the floor for everyone to stare at. Because everyone would, everyone always did. The word didn’t belong in her mouth, so Bel didn’t say it, not if she could help it. At least there was a coldness to mother, a sense of distance.

“It’s OK, please take your time,” Ramsey said, the vowels clipped and exposed.

Bel looked across at him, avoiding the camera. Lines of concern crisscrossed his black skin, pulling around his eyes as they fixed on Bel’s, because she was already taking her time, too much, more than she had in the pre-­interviews the past few days. He reached up to scratch his temple, right where his dark coiled hair faded out above his ears. Ramsey Lee: filmmaker, director, from South London—­ a whole world away, and yet here he was in Gorham, New Hampshire, sitting across from her.

Ramsey cleared his throat.

“Um . . . ,” Bel began, choking on that slug. “I don’t know.”

Ramsey sat back, his chair creaking, and Bel knew from the flicker of disappointment in his face that she was doing a bad job. Worse. It must have been the camera. The camera changed things, the permanence of it. One day thousands of people would watch this, separated from her only by the glass of their television screens. They would analyze every word she said, every pause she took, and have something to say about it. They’d study her face: her warm white skin and the flush of her cheeks, her sharp chin that sharpened more when she spoke and especially when she smiled, her short honey-­blond hair, her round gray-­blue eyes. Doesn’t she look just like Rachel did, they’d say, those people beyond the television scre…