WINNER OF THE NOBEL PRIZE IN LITERATURE 2024 Like a long winter's dream, this new novel by Han Kang takes us on a journey from contemporary South Korea into its painful history One morning in December, Kyungha receives a message from her friend Inseon saying she has been hospitalized in Seoul and asking that Kyungha join her urgently. The two women have last seen each other over a year before, on Jeju Island, where Inseon lives and where, two days before this reunion, she has injured herself chopping wood. Airlifted to Seoul for an operation, Inseon has had to leave behind her pet bird, which will quickly die unless it receives food. Bedridden, she begs Kyungha to take the first plane to Jeju to save the animal. Unfortunately, a snowstorm hits the island when Kyungha arrives. She must reach Inseon's house at all costs, but the icy wind and snow squalls slow her down as night begins to fall. She wonders if she will arrive in time to save Inseon's bird - or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness which awaits her at her friend's house. We Do Not Part is a hymn to friendship, a eulogy to the imagination, and above all a powerful indictment against forgetting. These beautiful pages form much more than a novel - they illuminate a traumatic memory, buried for decades, that still resonates today.

Autorentext

Han Kang was born in 1970 in South Korea. In 1993 she made her literary debut as a poet and published her first short story in 1994. She won the Man Booker International Prize for The Vegetarian and was shortlisted for The White Book. In 2024, Han Kang was awarded the Nobel Prize in Literature 'for her intense poetic prose that confronts historical traumas and exposes the fragility of human life'.

Among other major awards and prizes she is the winner of the Prix Medicis Etranger 2023 for the French edition of We Do Not Part. She taught in the department of creative writing at the Seoul Institute of the Arts for eleven years before leaving in 2018 to focus on writing. She is the fifth writer to contribute to the ongoing Future Library project in Oslo, Norway.

e. yaewon translates from and into Korean. Most recently, she translated Hwang Jungeun's dd's Umbrella and Maggie Nelson's The Argonauts and co-translated Han Kang's Greek Lessons and Samuel Beckett's Selected Shorter Plays.Paige Morris divides her time between the United States and Korea. Recent translations include works by Pak Kyongni, Ji-min Lee, and Chang Kang-myoung. She was recently longlisted for a National Book Award for her co-translation of Han Kang's We Do Not Part.

Klappentext
WINNER OF THE NOBEL PRIZE IN LITERATURE 2024
SHORTLISTED FOR FOYLES BOOK OF THE YEAR 2025

Like a long winter's dream, this haunting and visionary new novel from 2024 Nobel Prize winner Han Kang takes us on a journey from contemporary South Korea into its painful history

'One of the most profound and skilled writers working on the contemporary world stage' Deborah Levy

Beginning one morning in December, We Do Not Part traces the path of Kyungha as she travels from the city of Seoul into the forests of Jeju Island, to the home of her old friend Inseon. Hospitalized following an accident, Inseon has begged Kyungha to hasten there to feed her beloved pet bird, who will otherwise die.

Kyungha takes the first plane to Jeju, but a snowstorm hits the island the moment she arrives, plunging her into a world of white. Beset by icy wind and snow squalls, she wonders if she will arrive in time to save the bird - or even survive the terrible cold which envelops her with every step. As night falls, she struggles her way to Inseon's house, unaware as yet of the descent into darkness which awaits her.

There, the long-buried story of Inseon's family surges into light, in dreams and memories passed from mother to daughter, and in a painstakingly assembled archive documenting a terrible massacre on the island seventy years before.

We Do Not Part is a hymn to friendship, a eulogy to the imagination and above all an indictment against forgetting.

Translated by e. yaewon and Paige Aniyah Morris

**'A vital voice and a writer of extraordinary humanity. Her work is a gift to us all' Max Porter

'A remarkable novelist who reflects our modern condition with courage, imagination, and keen intelligence' Min Jin Lee

SHORTLISTED FOR THE WARWICK PRIZE FOR WOMEN IN TRANSLATION**

Zusammenfassung

'Han Kang is one of the most powerfully gifted writers in the world' Katie Kitamura, author of Intimacies

Like a long winter's dream, this new novel by Han Kang takes us on a journey from contemporary South Korea into its painful history

One morning in December, Kyungha receives a message from her friend Inseon saying she has been hospitalized in Seoul and asking that Kyungha join her urgently. The two women have last seen each other over a year before, on Jeju Island, where Inseon lives and where, two days before this reunion, she has injured herself chopping wood. Airlifted to Seoul for an operation, Inseon has had to leave behind her pet bird, which will quickly die unless it receives food. Bedridden, she begs Kyungha to take the first plane to Jeju to save the animal.

Unfortunately, a snowstorm hits the island when Kyungha arrives. She must reach Inseon's house at all costs, but the icy wind and snow squalls slow her down as night begins to fall. She wonders if she will arrive in time to save Inseon's bird or even survive the terrible cold that envelops her with every step. Lost in a world of snow, she doesn't yet suspect the vertiginous plunge into the darkness which awaits her at her friend's house.

There, the long-buried story of Inseon's family surges into light, in dreams and memories passed from mother to daughter, and in the archive painstakingly assembled at the house, documenting a terrible massacre on the island of 30,000 civilians, murdered in 1948-9.

We Do Not Part is a hymn to friendship, a eulogy to the imagination, and above all a powerful indictment against forgetting. These beautiful pages form much more than a novel they illuminate a traumatic memory, buried for decades, that still resonates today.

Translated by e. yaewon and Paige Aniyah Morris