An African coup may force Josh Duffy to choose between his mission and his family in this intense thriller from the #1 <New York Times< bestselling author of The Gray Man series.

Josh Duffy and his wife Nikki are both working for the State Department''s Diplomatic Security Service providing protection for diplomats in the field. They''ve been sent to Ghana with a team of US embassy personnel who are there to highlight American commitment to the construction of a new dam.&#160;

Since Ghana is a stable democracy, the Duffy children have come along for a short vacation. But stability proves to be fleeting when a Chinese plan to embarrass the US means the destruction of the dam. Now Josh and his protectees are on the run, caught between a Chinese hit squad and a rebel army.

Autorentext

Mark Greaney has a degree in international relations and political science. In his research for the Armored novels and the Gray Man novels, including The Chaos Agent, Burner, Sierra Six, Relentless, One Minute Out, Mission Critical, Agent in Place, Gunmetal Gray, Back Blast, Dead Eye, Ballistic, On Target, and The Gray Man, he traveled to more than thirty-five countries and trained alongside military and law enforcement in theuse of firearms, battlefield medicine, and close-range combative tactics. With Marine Lt. Col. Rip Rawlings, he wrote the New York Times bestseller Red Metal. He is also the author of the New York Times bestsellers Tom Clancy Supportand Defend, Tom Clancy Full Force and Effect, Tom Clancy Commander in Chief, and Tom Clancy True Faith and Allegiance. With Tom Clancy, he coauthored Locked On, Threat Vector, and Command Authority.

Leseprobe
One

Over one hundred twenty contractors employed by United Defense Services Group, a private military corporation based in the United Kingdom, lived and worked here at Forward Operating Base Blackbird on the outskirts of Jalalabad, Afghanistan. Conditions weren't nearly as austere as some of the regular military FOBs in the area; the men at Blackbird enjoyed decent chow, a well-appointed outdoor gym, good Internet, and a team room with a massive projection TV, along with a collection of over three hundred DVDs.

And alcohol, under certain restrictions.

The big TV in the team room came alive at four p.m., and a crowd of men sat in front of it, all guys who were finished with their work and had no more missions scheduled for the rest of the day.

They'd cleaned their trucks, cleaned their weapons, and changed out of their gear, and now they lounged around the team room on cheap sofas or sat in camp chairs. A couple of the men smoked cigars. Beer or hard liquor was consumed by those who were officially off the clock, but others drank water and soda, knowing they could still be called out at any time on an in extremis op, even if no movement had been previously scheduled.

After a heated argument between the half dozen men who gave a shit, Blade Runner was chosen for the afternoon film, and the DVD was slipped into the machine.

A bearded man crossed the room in front of the crowd and pulled the blinds shut, removing a harsh glare from the screen, blocking out the scorching Middle Eastern summer's day outside.

The film began with an opening crawl of text that explained the Nexus phase of replicants created by Tyrell Corporation, but many of those in the large room continued their raucous conversations, to the displeasure of someone on a sofa at the front.

"Everybody shut the fuck up!"

"The movie hasn't even started yet, mate," a man with an Aussie accent shouted back.

"The hell it hasn't. Listen to that Vangelis score. That's what I'm here for!"

The chatter died down a little, but not much.

"Somebody turn off the damn light!" a different voice yelled out now, also from the front near the TV, and a young man in the back of the room got up from his padded nylon chair, walked barefoot to the light switch, and flipped off the overhead.

He returned to his seat, reached over to the drink fridge next to him, and pulled out a can of Red Bull. Taking a sip, he told himself he'd watch the show until Sean Young saved Harrison Ford by killing Leon, and then he'd go back to his hooch and call his girlfriend in Richmond, Virginia.

Out of all the men in the room, out of all the men working here at FOB Blackbird, in fact, Josh Duffy was the third youngest at twenty-six. But he was far from a newbie. After four years in the U.S. Army, he'd been hired as a high-threat civilian contractor providing security around the Middle East and North Africa, and now, after nearly eight uninterrupted years living in the sandbox, he was a seasoned veteran, despite his boyish looks.

The contractors in the room slowly simmered down as the film played, and Josh sat there alone sipping his drink. He wore a gray United Defense T-shirt and khaki cargo shorts, a light brown beard and mustache, and hair that hung almost to his neck.

His girlfriend liked his hair long, and in the nearly two months since he'd last seen her he'd been trying to grow it out for her approval upon his return to the States.

And that wasn't all he'd done that he hoped she'd approve of.

One of the contractors here at Blackbird used to work as a tattoo artist, and he'd inked a lot of the men around the team house. Josh had gone to him just a couple weeks earlier, and now on his left pectoral the young man wore a heart with the name "Nikki" across it, still slightly red and slightly raised.

He hadn't revealed this new addition to his body to his girlfriend yet; it was a major statement, after all, and not something to just whip out on a random FaceTime call.

But it wasn't like she didn't know how he felt. They'd gone engagement ring shopping in Europe on his last leave, and in Florence they found what she said was the perfect ring, if not for the high price tag.

Josh had applied some misdirection, agreeing that it was more than he could afford, but as soon as he put her on a plane back home to Virginia the next morning he raced back to the shop and bought the ring.

It was too expensive, in fact, but he didn't care. He'd give her the ring in three weeks on his next leave, and he was already working on his proposal.

He'd booked a table for two at the most romantic restaurant in Richmond-according to the Internet, anyway-and he'd spent time in his hooch over the past couple of weeks writing out what he wanted to say.

He was in the middle of reciting his proposal to himself while the movie played on, and only stopped when an African American sitting on a dirty vinyl couch just in front of him turned and said, "Yo, Duff, pass me a Miller Lite. Make sure it's cold."

Everybody here called Josh Duffy "Duff," and he doubted most people knew that it wasn't his real name.

Duff obliged the man's request, reaching into the fridge and pulling out a cold can of beer, then bringing it over.

"Thanks, kid."

"You bet."

Mike Gordon was Josh's team leader, but Duff had a tendency to do what people asked of him without complaint, even if they weren't his superiors.

Gordon cracked the can and brought it to his lips, but before he could take a sip, a booming voice with a South African accent yelled over the soundtrack of the movie.

"Got an in extremis to the airport! I need three volunteers to go with me."

Heads turned to a big man standing in the doorway. He was in his early forties, with a handlebar mustache, a camel-colored bush hat, and a lean, pitted, and tan face. He wore his armor loose over his body, the cummerbund of the load-bearing vest hanging down halfway to the floor.

"Not it!" a tall South African with dark curly hair said near the front of the room.

"Not it," Mike Gordon said, as well, and he started again to take a drink of his beer.

But the South African just …