Autorentext
Graeme Wend-Walker is a professor of English literature at Texas State University in San Marcos.

Klappentext

Spanning more than half a century, Russell Hoban's celebrated literary career won him critical accolades and legions of admirers across multiple genres. Many know him from the groundbreaking masterpiece Riddley Walker, with its twelve-year-old protagonist contemplating "what the idear of us myt be" from amidst the ruins of civilization. Others know Hoban from the genre-defying The Mouse and His Child or from idiosyncratic novels of floundering Londoners. Still others fondly recall Frances the Badger's refusal to go to bed, or share Emmet Otter with their children at Christmas. This book, the first consideration of Russell Hoban's literary career as a whole, explores what binds these seemingly disparate works together. Discovering unexpected patterns between books written from what one character describes as a perpetual "state of surprise," this critical study also draws on Hoban's biography, from his formation as an artist under the influence of jazz in New York to the upheaval of his self-reinvention as a writer, as it offers its own reflection on what the idea of Russell Hoban might be.

Inhalt

Table of Contents

Preface and Acknowledgments
Introduction: The Beginning of a Pomegranate
One. "Fidelity is what's wanted"
Two. "Alive in some kind of way"
Three. "Don't tell me you've been on the beach all this time"
Four. "Books in nameless categories"
Five. Keaton, Schumann, and Coleman Won't Explain the Omelette
Six. Dialectics of Encounter and Vulnerability
Seven. "Art isn't meant to solve problems, is it"
Eight. "There aint nothing what aint a tel"
Nine. "Any special field of attention"
Ten. Unfashionable Mysteries, Spiritual Mirages, and Metaphysical Illusions
Eleven. "Jazz acrobats"
Chapter Notes
Bibliography
Index