Autorentext
Fredrik Backman is the #1 New York Times bestselling author of A Man Called Ove, My Grandmother Asked Me to Tell You She's Sorry, Britt-Marie Was Here, Beartown, Us Against You, Anxious People, The Winners, and My Friends, as well as two novellas and one work of nonfiction. His books are published in more than forty countries. He lives in Stockholm, Sweden, with his wife and two children. Connect with him on Facebook and X @BackmanLand and on Instagram @Backmansk.

Klappentext

#1 New York Times bestseller, more than 1 million copies sold!

Winner of the 2025 Goodreads Choice Award for Best Fiction * A Fallon Book Club Pick * USA TODAY Best Books of the Year * NPR Best Books of the Year * Marie Claire 25 Best Novels of the Year * BookPage Best Fiction of the Year * Real Simple Best Books of the Year * Libby Audiobook of the Year

**The #1 New York Times bestselling author of Anxious People returns with an unforgettably funny, deeply moving tale of four teenagers whose friendship creates a bond so powerful that it changes a complete stranger’s life twenty-five years later.

Most people don’t even notice them—three tiny figures sitting at the end of a long pier in the corner of one of the most famous paintings in the world. Most people think it’s just a depiction of the sea. But Louisa, an aspiring artist herself, knows otherwise, and she is determined to find out the story of these three enigmatic figures.

Twenty-five years earlier, in a distant seaside town, a group of teenagers find refuge from their bruising home lives by spending long summer days on an abandoned pier, telling silly jokes, sharing secrets, and committing small acts of rebellion. These lost souls find in each other a reason to get up each morning, a reason to dream, a reason to love.

Out of that summer emerges a transcendent work of art, a painting that will unexpectedly be placed into eighteen-year-old Louisa’s care. She embarks on a surprise-filled cross-country journey to learn how the painting came to be and to decide what to do with it. The closer she gets to the painting’s birthplace, the more nervous she becomes about what she’ll find. Louisa is proof that happy endings don’t always take the form we expect in this stunning testament to the transformative, timeless power of friendship and art.