Informationen zum Autor Felix Gillette is the enterprise editor for Bloomberg News's media, entertainment, and telecom team, as well as a features writer for Bloomberg Businessweek . He has covered the business of media and technology for over a dozen years and has worked as a staff writer at the Washington City Paper , the Columbia Journalism Review , The Village Voice , and The New York Observer . John Koblin is a media reporter for The New York Times , covering the television industry. He reports on the companies and personalities behind the scripted-TV boom as well as the networks that broadcast the news. Prior to joining the Times , he covered media at The New York Observer , Women's Wear Daily , and Deadspin . Klappentext "A read so riveting, it's not hard to imagine watching it unfold on Sunday nights." -The Associated Press"An incisive account that is more than a rosy victory lap for one of TV's most influential channels." -Eric Deggans, NPR's "Books We Love""It's Not TV proves to be a lively companion to all these shows." -Andrew O'Hagan, The New York Review of BooksThe inside story of HBO, the start-up company that reinvented television-by two veteran media reportersHBO changed how stories could be told on TV. The Sopranos, Sex and the City, The Wire, Game of Thrones. The network's meteoric rise heralded the second golden age of television with serialized shows that examined and reflected American anxieties, fears, and secret passions through complicated characters who were flawed and often unlikable. HBO's own behind-the-scenes story is as complex, compelling, and innovative as the dramas the network created, driven by unorthodox executives who pushed the boundaries of what viewers understood as television at the turn of the century. Originally conceived by a small upstart group of entrepreneurs to bring Hollywood movies into living rooms across America, the scrappy network grew into one of the most influential and respected players in Hollywood. It's Not TV is the deeply reported, definitive story of one of America's most daring and popular cultural institutions, laying bare HBO's growth, dominance, and vulnerability within the capricious media landscape over the past fifty years. Through the visionary executives, showrunners, and producers who shaped HBO, seasoned journalists Gillette and Koblin bring to life a dynamic cast of characters who drove the company's creative innovation in astonishing ways-outmaneuvering copycat competitors, taming Hollywood studios, transforming 1980s comedians and athletes like Chris Rock and Mike Tyson into superstars, and in the late 1990s and 2000s elevating the commercial-free, serialized drama to a revered art form. But in the midst of all its success, HBO was also defined by misbehaving executives, internal power struggles, and a few crucial miscalculations. As data-driven models like Netflix have taken over streaming, HBO's artful, instinctual, and humanistic approach to storytelling is in jeopardy. Taking readers into the boardrooms and behind the camera, It's Not TV tells the surprising, fascinating story of HBO's ascent, its groundbreaking influence on American business, technology, and popular culture, and its increasingly precarious position in the very market it created. Leseprobe EXCERPT COMING SOON Zusammenfassung A read so riveting, it's not hard to imagine watching it unfold on Sunday nights. The Associated Press An incisive account that is more than a rosy victory lap for one of TV's most influential channels. Eric Deggans, NPR's Books We Love It's Not TV proves to be a lively companion to all these shows. Andrew O'Hagan, The New York Review of Books The inside story of HBO, the start-up company that reinvented televisionby two veteran media reporters HBO chang...

Autorentext
Felix Gillette is the enterprise editor for Bloomberg News’s media, entertainment, and telecom team, as well as a features writer for Bloomberg Businessweek. He has covered the business of media and technology for over a dozen years and has worked as a staff writer at the Washington City Paper, the Columbia Journalism Review, The Village Voice, and The New York Observer.

John Koblin is a media reporter for The New York Times, covering the television industry. He reports on the companies and personalities behind the scripted-TV boom as well as the networks that broadcast the news. Prior to joining the Times, he covered media at The New York Observer, Women’s Wear Daily, *and Deadspin*.

Klappentext

*“A read so riveting, it's not hard to imagine watching it unfold on Sunday nights.” —The Associated Press*

“An incisive account that is more than a rosy victory lap for one of TV’s most influential channels.” —Eric Deggans, NPR’s “Books We Love”

“It’s Not TV proves to be a lively companion to all these shows.” —Andrew O’Hagan, The New York Review of Books

The inside story of HBO, the start-up company that reinvented television—by two veteran media reporters**

HBO changed how stories could be told on TV. The Sopranos, Sex and the City, The Wire, Game of Thrones. The network’s meteoric rise heralded the second golden age of television with serialized shows that examined and reflected American anxieties, fears, and secret passions through complicated characters who were flawed and often unlikable. HBO’s own behind-the-scenes story is as complex, compelling, and innovative as the dramas the network created, driven by unorthodox executives who pushed the boundaries of what viewers understood as television at the turn of the century. Originally conceived by a small upstart group of entrepreneurs to bring Hollywood movies into living rooms across America, the scrappy network grew into one of the most influential and respected players in Hollywood. It’s Not TV is the deeply reported, definitive story of one of America’s most daring and popular cultural institutions, laying bare HBO’s growth, dominance, and vulnerability within the capricious media landscape over the past fifty years.

Through the visionary executives, showrunners, and producers who shaped HBO, seasoned journalists Gillette and Koblin bring to life a dynamic cast of characters who drove the company’s creative innovation in astonishing ways—outmaneuvering copycat competitors, taming Hollywood studios, transforming 1980s comedians and athletes like Chris Rock and Mike Tyson into superstars, and in the late 1990s and 2000s elevating the commercial-free, serialized drama to a revered art form. But in the midst of all its success, HBO was also defined by misbehaving executives, internal power struggles, and a few crucial miscalculations.

As data-driven models like Netflix have taken over streaming, HBO’s artful, instinctual, and humanistic approach to storytelling is in jeopardy. Taking readers into the boardrooms and behind the camera, It’s Not TV tells the surprising, fascinating story of HBO’s ascent, its groundbreaking influence on American business, technology, and popular culture, and its increasingly precarious position in the very market it created.

Leseprobe
Chapter 1

Surviving the Premiere

One day in 1978, Sheila Nevins got a phone call from a headhunter. Did she know anybody who might want to work for the cable channel HBO? They were looking to hire someone on a temporary basis. Nevins racked her brain. What was HBO again? "Is it a dirty channel?" she asked.

Nevins was a broadcast news producer in her midthirties with a big swoop of blond hair, a wicked sense of humor, and a sly, comically exasperated manner. She grew up in a big family of Russian immigrants on New York City's Lower East Side. Her dad was a post office worker and a bookie. Her…