Switzy

A mesmerizing portrait of an;aging man’s;last pilgrimage, from the A private plane cuts through the winter night, somewhere over Greenland. David, a retired executive, sits back in his leather seat, playing solitaire on his phone. Click. Click. Drag.;Click. The notebook in his jacket pocket is filled with familiar phrases, urgent reminders to himself, but he struggles to recognize his own handwriting.; A mystery, among many mysteries. The world, once so knowable, has been rendered inscrutable. This is what David knows: Cody, his assistant, asleep in the seat next to him, will shepherd him along the voyage. A stopover in London. Dinner with his adult daughter. A meeting in France with an old friend, estranged for decades.; His final destination is Zurich.;;;;; David glides through hotel rooms and airports and foreign cities,;running out the clock on his mortal life. His grasp on the present slips;away, and the past rushes;in: the Sunday roasts of childhood. The stiff clothes meant only for church. A summer at a school friend’s house. The losses and missteps that punctuate a life.;; As David’s arrival in Zurich looms, an exquisitely rendered portrait of an unraveling mind emerges, both darkly humorous and;profoundly moving. Hypnotic and startlingly original, Emma Cline is the New York Times bestselling author of The Guest, The Girls, and the story collection Daddy. The Girls was a finalist for the Center for Fiction's First Novel Prize, the National Book Critics Circle John Leonard Award, and the Los Angeles Times Book Prize. It was a New York Times Editor’s Choice and was the winner of the Shirley Jackson Award. The Guest was longlisted for the PEN/Faulkner Award. Cline's stories have been published in The New Yorker, Granta, The Paris Review, and The Best American Short Stories anthologies. She received an O’Henry Award and the Plimpton Prize from The Paris Review, and was chosen as one of Granta's Best Young American Novelists.

Klappentext

**NATIONAL BESTSELLER • LONGLISTED FOR THE BOOKER PRIZE • NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • NAMED ONE OF THE MOST ANTICIPATED BOOKS OF FALL BY: The New York Times, Associated Press, Goodreads, NPR, Harper’s Bazaar, Los Angeles Times, and more

A mesmerizing portrait of an aging man’s last pilgrimage, from the award-winning author of The Girls and The Guest.

“Piercing and suspenseful.”—The Wall Street Journal
“Bold . . . arresting . . . stylistically adventurous.”—The Boston Globe
“Profoundly moving.”—The Guardian

A private plane cuts through the winter night, somewhere over Greenland. David, a retired executive, sits back in his leather seat, playing solitaire on his phone. Click. Click. Drag. Click. The notebook in his jacket pocket is filled with familiar phrases, urgent reminders to himself, but he struggles to recognize his own handwriting.

A mystery, among many mysteries. The world, once so knowable, has been rendered inscrutable.

This is what David knows: Cody, his assistant, asleep in the seat next to him, will shepherd him along the voyage. A stopover in London. Dinner with his adult daughter. A meeting in France with an old friend, estranged for decades.

His final destination is Zurich.

David glides through hotel rooms and airports and foreign cities, running out the clock on his mortal life. His grasp on the present slips away, and the past rushes in: the Sunday roasts of childhood. The stiff clothes meant only for church. A summer at a school friend’s house. The losses and missteps that punctuate a life.

As David’s arrival in Zurich looms, an exquisitely rendered portrait of an unraveling mind emerges, both darkly humorous and profoundly moving. Hypnotic and startlingly original, Switzy probes the depths of human consciousness, revealing what a man is left with when the accomplishments and compromises that have defined him, and the illusions he's relied on, vanish.

Leseprobe
1

It was always nighttime there. Or in his memory he had only ever been there at night, the cobblestone streets and the strangely empty sidewalks, the black vastness of the lake as seen from the back seat of a town car. It was a city that existed in a perpetual hush, a chilly dark. As if the place had been built for these kinds of shadowed errands.

There would be snow on the ground. The middle of February. The flat, sad month. Like a house when no one is home.

The steady hum of the plane’s engine carried them along. The window shades were all closed. A flat-screen showed news without sound. David played solitaire on his phone. The green meadow of the background pulsed against the black and red and white cards.

Click. Click. Click. Drag. Click.

The cards flipped all at once, scrolling across the screen. Chaos that resolved itself into order and then back into chaos, in need of order, future order.

He put his phone down.

Cody was still asleep. His head hung slack, mouth open, though he seemed comfortable enough, his arms folded peaceably across his chest. Self-contained, unobtrusive. He’d worked for David for—his brain wandered. For years. How much time had David and the boy spent together, if you added up the hours?

The quick brown fox jumps over the lazy dog.

The quick brown fox—

They were somewhere nearing Greenland. It was not his plane. Of course it wasn’t his plane. This plane that was brand-new. A tax loophole David had been familiar with—bonus depreciation. One-hundred-percent write-off for “business equipment.” In some realms, business equipment meant planes. Millions, just x-ed off the ledger. But whatever equipment had to be put into use by December 31 of the calendar year—Stearns had just made the cutoff. Wheels up before New Year’s Eve. This year the exemption had dropped to whatever percent. Next year, even less. In a few years, the exemption would cease to exist, or more likely, it would morph into some other sneaky form, open for exploitation, but that was out past the limits of his purview.

The plane was large, bigger than Stearns’s last one. A full bedroom, a galley kitchen. Polished doors that separated the rooms, doors that slid silently and obligingly out of sight. The windows were larger, stamped out more of the night sky.

The flight attendant was somewhere in her thirties. Young but not enough to be vulgar. Low ponytail, low heels. David had known, when she first said her name, that it would instantly become vapor. And so it had.

She had made up little passenger kits for the overnight flight. Hand wipes and squat water bottles and Chapstick and miniature tubes of face lotion and a sachet of hydrating powder that made your water more . . . wet?

He unscrewed his water bottle and tipped in the sachet of powder, or however much powder he could manage to get inside. He screwed the cap back on, shook the bottle. He took a slug. Assessed whether this water tasted particularly wet.

Hard to say.

David had a small leather notebook that fit pretty well in a jacket pocket. An overly fussy leather-worked cover, Liberty or whatever, lined pages and a gold-leaf edge. He kept notes to himself here. In blocky handwriting. It wasn’t his handwriting. But it had to be, because he had watched himself write, watched his hand move the pen across the page.

ROSE CHAIR APPLE

Hall of the Mtn King

REBECCA, MARYLEBONE—Geoffrey. Rainer, 9.

Invisible spheres

As a kid, he’d learned cursive on lined practice paper. The quick brown fox jumps over the lazy dog. The swooping tails of the g’s and the q’s, the queerly looped z—he’d filled page after page. Miss Sha…