Informationen zum Autor Diana L. Paxson is a noted fantasy author who collaborated with Bradley on many of her later works, including Priestess of Avalon . She has written twenty books, including the Arthurian series, The Hallowed Isle. Klappentext Epic in its sweep and peopled by the remarkable women who have always inhabited Avalon, Marion Zimmer Bradley's Sword of Avalon expands the legendary saga that has enchanted countless readers over the years and is sure to please Bradley's loyal readership and anyone who loves wonderfully told stories of history, myth, and fantasy. Prologue Morgaine speaks: They say that the old sleep little, as if they have no need of rest with the body´s last sleep so near. Whether it is age or the weight of memory that keeps me restless, at night my sleep is broken, and I rise early. This morning I left my bed without waking my maidens to walk by the Lake just at that misty hour between the dark and the dawning, when the birds sing forth their promise that the light will return. As the first rays of the sun glimmered through the clouds, a gleam of light pierced the waters, and for a moment I saw the blazing length of the Sword. Time converged around me, and once more I was in the Sacred Barge of Avalon, and Arthur lay dying in my arms. Lancelet cast Excalibur into the Lake and saw it received by the Lady. My breath stopped as I waited to see if Her hand would reappear, returning the Sword from the depths to choose a new King to save Britannia. Vision followed vision, but what I saw was firethe metal first forged in the fires of heaven, hailed as a thing of power by the folk who dwelled on the chalk before ever a Druid or Adept from the drowned islands came to these shores. I saw the fires of the forge in which a master smith, fleeing his people´s doom, had made it into a sword to fit the hand of a king. Hidden and renewed, broken and reforged, in the time of Britannia´s greatest need it had returned to bring victory. I stared, and clearing vision showed me the surface of the Lake gray and still once more. Then I wept, and even that image blurred. The dark people of the hills who had been the Sword´s keepers were gone. Water, not fire, hid the blade Arthur wielded, and there was no king of the ancient line to call it forth again. The gleam that I had seen had been the leap of a fish, no more. And yet as I began to walk again I realized that the tears in my eyes were not from despair. When Excalibur went into the Lake, I knew it for the end of an Age, the loss of all that I had loved. And yet behind its veil of mist, Avalon endures. The star-steel was only metal until the skill of a smith and the passion of a priestess ensouled it. What they did in those days, when the world they knew seemed doomed, may be done again if the Lady of the Forge takes up her hammer once more. The Sword is gone, but hope does not die. Chapter One Fire. The acrid reek of burning thatch catches in her throat; then smoke sets her coughing, panic flaring along her limbs as red light flickers across the floor. She snatches up the wailing child. The hide across the door is wrenched away. Beyond, she glimpses figures and the gleam of blades. A woman screams with a shrill intensity that cuts across the clash of bronze weapons and the battle cries. The scream is her own, and yet the self that knows this is somehow detached from the hot breath of the flames. The baby coughs and struggles, strong limbs, strong spirit fighting to survive. A roof beam crashes across the doorway and she whimpers, wracked by an anguish beyond her body´s pain. She stares through the flames, seeking an escape, and enemy faces leer back at her. She recoils and sinks to the floor, smoke stealing her breath as a cry severs soul from sense"So dies the Son of a Hundred Kings!" And awareness...

Autorentext

Diana L. Paxson is a noted fantasy author who collaborated with Bradley on many of her later works, including Priestess of Avalon. She has written twenty books, including the Arthurian series, The Hallowed Isle.

Klappentext

Epic in its sweep and peopled by the remarkable women who have always inhabited Avalon, Marion Zimmer Bradley's Sword of Avalon expands the legendary saga that has enchanted countless readers over the years and is sure to please Bradley's loyal readership and anyone who loves wonderfully told stories of history, myth, and fantasy.

Leseprobe
Prologue Morgaine speaks:

They say that the old sleep little, as if they have no need of rest with the body's last sleep so near. Whether it is age or the weight of memory that keeps me restless, at night my sleep is broken, and I rise early. This morning I left my bed without waking my maidens to walk by the Lake just at that misty hour between the dark and the dawning, when the birds sing forth their promise that the light will return. As the first rays of the sun glimmered through the clouds, a gleam of light pierced the waters, and for a moment I saw the blazing length of the Sword. * Time converged around me, and once more I was in the Sacred Barge of Avalon, and Arthur lay dying in my arms. Lancelet cast Excalibur into the Lake and saw it received by the Lady. My breath stopped as I waited to see if Her hand would reappear, returning the Sword from the depths to choose a new King to save Britannia.

Vision followed vision, but what I saw was fire—the metal first forged in the fires of heaven, hailed as a thing of power by the folk who dwelled on the chalk before ever a Druid or Adept from the drowned islands came to these shores. I saw the fires of the forge in which a master smith, fleeing his people's doom, had made it into a sword to fit the hand of a king. Hidden and renewed, broken and reforged, in the time of Britannia's greatest need it had returned to bring victory.

I stared, and clearing vision showed me the surface of the Lake gray and still once more. Then I wept, and even that image blurred. The dark people of the hills who had been the Sword's keepers were gone. Water, not fire, hid the blade Arthur wielded, and there was no king of the ancient line to call it forth again. The gleam that I had seen had been the leap of a fish, no more.

And yet as I began to walk again I realized that the tears in my eyes were not from despair. When Excalibur went into the Lake, I knew it for the end of an Age, the loss of all that I had loved. And yet behind its veil of mist, Avalon endures. The star-steel was only metal until the skill of a smith and the passion of a priestess ensouled it. What they did in those days, when the world they knew seemed doomed, may be done again if the Lady of the Forge takes up her hammer once more.

The Sword is gone, but hope does not die.

Chapter One

Fire. * The acrid reek of burning thatch catches in her throat; then smoke sets her coughing, panic flaring along her limbs as red light flickers across the floor. She snatches up the wailing child. The hide across the door is wrenched away. Beyond, she glimpses figures and the gleam of blades.

A woman screams with a shrill intensity that cuts across the clash of bronze weapons and the battle cries. The scream is her own, and yet the self that knows this is somehow detached from the hot breath of the flames. The baby coughs and struggles, strong limbs, strong spirit fighting to survive. A roof beam crashes across the doorway and she whimpers, wracked by an anguish beyond her body's pain. She stares through the flames, seeking an escape, and enemy faces leer back at her. She recoils and sinks to the floor, smoke stealing her breath as a cry severs soul from sense—"So dies the Son of a Hundred Kings!"

And awareness whirls outward—she sees the thatched roofs of the royal enclosure collapsing as the fire spreads; the bull horns mounted above the great gate crash down. The bodies of warriors, startled naked from sleep, lie scattered on the bloody gr…