Informationen zum Autor David Brooks Klappentext NEW YORK TIMES BESTSELLER • A practical, heartfelt guide to the art of truly knowing another person and fostering deeper connections at home, at work, and throughout our livesfrom the author of The Road to Character and The Second Mountain More than a guide to better conversations, it's a blueprint for a more connected and humane way of living. It's a must-read for anyone looking to deepen their relationships and broaden their perspectives.Bill Gates, GatesNotes (Summer Reading Pick) As David Brooks observes, There is one skill that lies at the heart of any healthy person, family, school, community organization, or society: the ability to see someone else deeply and make them feel seento accurately know another person, to let them feel valued, heard, and understood. And yet all around are people who feel invisible, unseen, misunderstood. In How to Know a Person, Brooks sets out to help us do better, posing essential questions: If you want to know a person, what kind of attention should you cast on them? What kind of conversations should you have? What parts of a person's story should you pay attention to? Driven by his trademark sense of curiosity and determination to grow as a person, Brooks draws from the fields of psychology and neuroscience and the worlds of theater, philosophy, history, and education to present a welcoming, hopeful, integrated approach to human connection. How to Know a Person helps readers become more understanding and considerate toward others, and to find the joy that comes from being seen. Along the way it offers a possible remedy for a society that is riven by fragmentation, hostility, and misperception. The act of seeing another person, Brooks argues, is profoundly creative: How can we look somebody in the eye and see something large in them and, in turn, see something larger in ourselves? How to Know a Person is for anyone searching for connection, and yearning to be understood. Leseprobe ONE The Power of Being Seen If you ever saw the old movie Fiddler on the Roof, you know how warm and emotional Jewish families can be. They are always hugging, singing, dancing, laughing, and crying together. I come from the other kind of Jewish family. The culture of my upbringing could be summed up by the phrase Think Yiddish, act British. We were reserved, stiff-upper-lip types. I'm not saying I had a bad childhoodfar from it. Home was a stimulating place for me, growing up. Over our Thanksgiving dinner tables, we talked about the history of Victorian funerary monuments and the evolutionary sources of lactose intolerance (I'm not kidding). There was love in the home. We just didn't express it. Perhaps unsurprisingly, I became a bit detached. When I was four, my nursery school teacher apparently told my parents, David doesn't always play with the other children. A lot of the time he stands off to the side and observes them. Whether it was nature or nurture, a certain aloofness became part of my personality. By high school I had taken up long-term residency inside my own head. I felt most alive when I was engaged in the solitary business of writing. Junior year I wanted to date a woman named Bernice. But after doing some intel gathering, I discovered she wanted to go out with another guy. I was shocked. I remember telling myself, What is she thinking? I write way better than that guy! It's quite possible that I had a somewhat constrained view of how social life worked for most people. Then, when I was eighteen, the admissions officers at Columbia, Wesleyan, and Brown decided I should go to the University of Chicago. I love my alma mater, and it has changed a lot for the better since I was there, but back then it wasn't exactly the sort of get-in-touch-with-your-feelings place ...

Autorentext

David Brooks

Klappentext

NEW YORK TIMES BESTSELLER • A practical, heartfelt guide to the art of truly knowing another person and fostering deeper connections at home, at work, and throughout our lives—from the author of The Road to Character and The Second Mountain

“More than a guide to better conversations, it’s a blueprint for a more connected and humane way of living. It’s a must-read for anyone looking to deepen their relationships and broaden their perspectives.”—Bill Gates, GatesNotes (Summer Reading Pick)

As David Brooks observes, “There is one skill that lies at the heart of any healthy person, family, school, community organization, or society: the ability to see someone else deeply and make them feel seen—to accurately know another person, to let them feel valued, heard, and understood.”

And yet all around are people who feel invisible, unseen, misunderstood. In How to Know a Person, Brooks sets out to help us do better, posing essential questions: If you want to know a person, what kind of attention should you cast on them? What kind of conversations should you have? What parts of a person’s story should you pay attention to?

Driven by his trademark sense of curiosity and determination to grow as a person, Brooks draws from the fields of psychology and neuroscience and the worlds of theater, philosophy, history, and education to present a welcoming, hopeful, integrated approach to human connection. How to Know a Person helps readers become more understanding and considerate toward others, and to find the joy that comes from being seen. Along the way it offers a possible remedy for a society that is riven by fragmentation, hostility, and misperception.

The act of seeing another person, Brooks argues, is profoundly creative: How can we look somebody in the eye and see something large in them and, in turn, see something larger in ourselves? How to Know a Person is for anyone searching for connection, and yearning to be understood.

Leseprobe
**ONE

The Power of Being Seen**

If you ever saw the old movie Fiddler on the Roof, you know how warm and emotional Jewish families can be. They are always hugging, singing, dancing, laughing, and crying together.

I come from the other kind of Jewish family.

The culture of my upbringing could be summed up by the phrase “Think Yiddish, act British.” We were reserved, stiff-upper-lip types. I’m not saying I had a bad childhood—far from it. Home was a stimulating place for me, growing up. Over our Thanksgiving dinner tables, we talked about the history of Victorian funerary monuments and the evolutionary sources of lactose intolerance (I’m not kidding). There was love in the home. We just didn’t express it.

Perhaps unsurprisingly, I became a bit detached. When I was four, my nursery school teacher apparently told my parents, “David doesn’t always play with the other children. A lot of the time he stands off to the side and observes them.” Whether it was nature or nurture, a certain aloofness became part of my personality. By high school I had taken up long-term residency inside my own head. I felt most alive when I was engaged in the solitary business of writing. Junior year I wanted to date a woman named Bernice. But after doing some intel gathering, I discovered she wanted to go out with another guy. I was shocked. I remember telling myself, “What is she thinking? I write way better than that guy!” It’s quite possible that I had a somewhat constrained view of how social life worked for most people.

Then, when I was eighteen, the admissions officers at Columbia, Wesleyan, and Brown decided I should go to the University of Chicago. I love my alma mater, and it has changed a lot for the better since I was there, but back then it wasn’t exactly the sort of get-in-touch-with-your-feelings place that would help thaw my emotional ice age. My favorite saying about Chicago is this one: It’s a Baptist …