Informationen zum Autor Claudia Schmölders. Translated by Adrian Daub Klappentext From his emergence on the German political scene in 1914 and subsequent public infatuation with him, to his fall in 1945 and the growing revulsion as his horrific acts were revealed to the world, Adolf Hitler's visage, Claudia Schmölders argues, was the first political image manufactured for the modern media. Zusammenfassung From his emergence on the German political scene in 1914 and subsequent public infatuation with him, to his fall in 1945 and the growing revulsion as his horrific acts were revealed to the world, Adolf Hitler's visage, Claudia Schmolders argues, was the first political image manufactured for the modern media. Inhaltsverzeichnis Introduction 1. Models 1913-1918 2. Warrants and Projections 1918-1923 3. Iconizations 1923-1929 4. Self-Images 1929-1939 5. Shock Pictures 1939-1945 6. Picturing Horror 1945-1949 Notes Bibliography Index Acknowledgments

Autorentext

Claudia Schmölders. Translated by Adrian Daub

Klappentext

From his emergence on the German political scene in 1914 and subsequent public infatuation with him, to his fall in 1945 and the growing revulsion as his horrific acts were revealed to the world, Adolf Hitler's visage, Claudia Schmölders argues, was the first political image manufactured for the modern media.

Inhalt

Introduction