"I found this book interesting with all the history from various cultures that Mr. Le Couteux was able to use to unravel a web that has been too long in place. I, myself, have always felt that elves were akin to Faery kind. So, I have ever had a place for them in my life and home. I have seen dwarves as energy to work with when doing some creative process, unusual when working with crystals and anything metal. And now, I know I was on the right track in the energy signatures that I was working on within my work."

Autorentext

Claude Lecouteux (1943–2025) was a former professor of medieval literature and civilization at the Sorbonne and author of numerous books on medieval and pagan afterlife beliefs and magic, including The Book of Grimoires, Dictionary of Ancient Magic Words and Spells, and The Tradition of Household Spirits.

Klappentext

A comprehensive examination of the intertwined mythology, folklore, and literary history of the little people

• Explores the pagan roots of dwarfs and elves and their evolution in myth and literature

• Reveals the role the church played in changing them from fearless, shape-shifting warriors with magical powers into cheerful helpmates and cute garden gnomes

• Traces their history from ancient Celtic and Germanic lore through their emergence in the literature of the Middle Ages to their modern popularization by the Brothers Grimm and Walt Disney

Most people are familiar with the popular image of elves as Santa’s helpers and dwarfs as little bearded men wearing red caps, who are mischievous and playful, helpful and sly, industrious and dexterous. But their roots go far deeper than their appearance in fairy tales and popular stories. Elves and dwarfs are survivors of a much older belief system that predates Christianity and was widespread throughout Western Europe.

Sharing his extensive analysis of Germanic and Norse legends, as well as Roman, Celtic, and medieval literature, Claude Lecouteux explores the ancient, intertwined history of dwarfs and elves. He reveals how both were once peoples who lived in wild regions as keepers of the secrets of nature. They were able to change their size at will and had superhuman strength and healing powers. They were excellent smiths, crafting swords that nothing could dull as well as magical jewelry, and often entered into the service of lords or heroes. They were a part of the everyday life of our ancestors before they were transformed by fairy tales and church texts into the mythical creatures we know today.

Lecouteux shows how, in earlier folklore, elves and dwarfs were interchangeable, gradually evolving over time to express very different kinds of beings. “Dwarf,” “giant,” and even “elf” did not necessarily connote size but referred to races with different skills. Elves were more ethereal, offering protection and kindness, while dwarfs reflected a more corporeal form of spirit, often appearing as messengers from the underworld. Yet dwarfs and elves could be bargained with, and our ancestors would leave a broken object outside the door at night with the hope that a dwarf or elf (or other local spirit) would repair it.

Revealing the true roots of these helpful and powerful beings, including an in-depth exploration of one of the most famous dwarf/elf/fairy beings of the Middle Ages, Auberon or Oberon, also known as Alberich, Lecouteux shows how the magic of dwarfs and elves can be rekindled if we recognize their signs and invite them back into our world.

Leseprobe
Chapter Two

The Dwarf in Western Literature: Romance, Celtic, Germanic

The Germanic Literature of the Middle Ages

It was around the years 1023-1050 that a dwarf was mentioned for the first time in the literature of the German-speaking regions, but non-literary texts show that this figure was known long before this date. The Ruodlieb, which is considered to be the first romance of the Middle Ages, was written in Latin, based on legends whose traces we can find in later works. It tells of the encounter between a knight and a dwarf, and this encounter deserves a momentary stop as it includes all the principle characteristics of the German dwarf found in subsequent tales.

*Ruodlieb sees a dwarf at the entrance to a cave and captures him. In return for sparing his life, his prisoner promises Ruodlieb that he will show him the place where the treasure of Kings Immunch and Hartnuch is hidden; then he foretells his future. Ruodlieb will win the hand of the fair Heriburg, but it will only be at the cost of much spilled blood if he does not follow his counsel. The suspicious knight demands pledges; so his captive calls for his wife. She emerges from the cave and offers to be the knight’s hostage until he has made good on his promises. It is finally said that this figure “is quite beautiful despite her small size.”

• Unfortunately, the eighteenth fragment of the Ruodlieb stops here.

  We should keep in mind the essential information gleaned from this story: dwarfs live in caves, they know hidden secrets, and they have the gift to foretell the future. Furthermore, they inspire distrust in those they meet, which implies not all of them mean well.

  All the later texts confirm what the Ruodlieb says and add some finishing touches.(29) The dwarfs dwell inside hollow mountains that are veritable underground palaces sparkling with gems. They have wives and children, suzerains, and vassals and live in a hierarchical society that is a perfect reflection of medieval society. There is a nobility with a king at its head. Only peasants are not mentioned, but they rarely appear in courtly literature. Dwarfs experience the same passions as men, especially the torments of love and the goad of ambition. They wage war among themselves to expand their domains, in other words to conquer other hollow mountains. They have hereditary enemies: giants and dragons. Their amusements agree on all points with those of the human world: they love music, singing, dancing, good meals washed down with wine or mead; they organize jousts and tourneys on the green meadows that extend before their underground palaces; and finally, they know how to speak courteously. The great majority of them are well-meaning and helpful; only the Arthurian romances, in agreement with romance literature in general on this point, portray perfidious or thieving dwarfs.

  Dwarfs can appear in one of three ways in the Germanic regions. They can take the appearance of bald, bearded old men, or resemble extremely beautiful children, or else look like knights. The first type is quite rare in the Middle Ages, although it is the predominant type in later folk tales. It is vouched for by only three texts.(30) The child dwarf is equally rare and only appears in the Gest of King Ortn.(31) These first two types are incontestably the oldest and the least contaminated, but they were supplanted by that of the dwarf knight, a reflection of the era in which the poets lived whose work I am using--and they almost vanished completely from the writings. Their resurgence several centuries later indicates nevertheless that they continued to live in oral folk traditions.

  In the romances, dwarfs are generally between twenty-seven to forty-four inches in height. Though they have small feet and short legs they have the strength of twelve to twenty men, which some authors explain is due to their possession of magical items. (The physical weakness of a dwarf is an add-on motif: it was thought that a small body could not possess great strength.)

  Dwelling inside mountains or even underground, and sometimes even behind a waterfall, the dwarf knew all the secrets of nature: the virtues of the waters, stones, metals, and herbs. Of all the monstrous humans of Medieval German literature, th…