The universe is a forest, patrolled by numberless and nameless predators. In this forest, others are hell, a dire existential threat. Stealth is survival. Any civilisation that reveals its location is prey. Earth has. And the others are on the way.

Zusatztext Even what doesn't happen is epic' London Review of Books . Informationen zum Autor Cixin Liu is China's #1 SF writer and author of The Three-Body Problem the first ever translated novel to win a Hugo Award. Prior to becoming a writer, Liu worked as an engineer in a power plant in Yangquan. Joel Martinsen is the translator of The Dark Forest by Cixin Liu and (with Alice Xin Liu) of The Problem With Me , a collection of essays by Han Han. His translations of short fiction have appeared in Pathlight , Chutzpah , and Words Without Borders . He lives in Beijing. Klappentext Now in paperback, this is the second novel in the SF trilogy. Ties in with the hardback publication of the final book, "Death's End", which is also out this month. 'A milestone in Chinese science fiction' "New York Times" Zusammenfassung The universe is a forest, patrolled by numberless and nameless predators. In this forest, others are hell, a dire existential threat. Stealth is survival. Any civilisation that reveals its location is prey. Earth has. And the others are on the way.

Even what doesn't happen is epic' London Review of Books.

Autorentext
Cixin Liu is China's #1 SF writer and author of The Three-Body Problem the first ever translated novel to win a Hugo Award. Prior to becoming a writer, Liu worked as an engineer in a power plant in Yangquan. Joel Martinsen is the translator of The Dark Forest by Cixin Liu and (with Alice Xin Liu) of The Problem With Me, a collection of essays by Han Han. His translations of short fiction have appeared in Pathlight, Chutzpah, and Words Without Borders. He lives in Beijing.

Klappentext
Now in paperback, this is the second novel in the SF trilogy. Ties in with the hardback publication of the final book, "Death's End", which is also out this month. 'A milestone in Chinese science fiction' "New York Times"