New methods of artistic research

Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide.

The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice.

• Innovative methods of experimental forms of notation

• With contributions by Alex Arteaga, Adrian Heathfield, Erin Manning, Dieter Mersch, Catherine de Zegher and others

  Autorentext
  Nikolaus Gansterer, Univ. of Applied Arts Vienna, Austria; Emma Cocker, Nottingham Trent University, UK; Mariella Greil, Vienna, Austria

  Klappentext

  Choreo-graphic Figures: Deviations from the Line stages a beyond-disciplinary, inter-subjective encounter between the lines of choreography, drawing and writing, for exploring those forms of thinking-feeling-knowing produced through collaborative exchange, in the slippage and deviation, as different modes of practice enter into dialogue, overlap, collide.

  The publication is conceived as a studio-laboratory in itself, drawing together critical reflections and experimental practices that focus on the how-ness - the qualitative-procedural, aesthetic-epistemological and ethical-empathetic dynamics - within shared artistic exploration, directing attention to an affective realm of forces and intensities existing before, between and beneath the more readable gestures of artistic practice.

  Inhalt

  Preface: Emma Cocker, Nikolaus Gansterer, Mariella Greil

  Method Lab I: Cocker, Gansterer, Greil

  Unlined: Andreas Spiegl

  What If: Krassimira Kruschkova

  Towards the Un-disciplinary: Cocker, Gansterer, Greil

  The Thing: Brandon LaBelle

  On Radical Aesthetics: Alex Arteaga

  How-ness: Cocker, Gansterer, Greil

  Figuring x Figure: Cocker, Gansterer, Greil

  Elemental Figures: Cocker, Gansterer, Greil

  Aesthetic Epistemologies: Dieter Mersch

  Writing Experiment: Jeanette Pacher

  Aspects of un-disciplinary Listening: Werner Moebius

  When-ness: Cocker, Gansterer, Greil

  Practices of Attention: Cocker, Gansterer, Greil

  Practices of Conversation: Cocker, Gansterer, Greil

  Practices of Notation: Cocker, Gansterer, Greil

  Practices of Wit(h)nessing: Cocker, Gansterer, Greil

  I am a Loudspeaker: Christine de Smedt

  Take Me to the Bridge: PA Skantze

  Empathetic Figures: Cocker, Gansterer, Greil

  Sensorial Bodies: Arno Böhler

  Trialogue I: Emma Cocker, Mariella Greil, Adrian Heathfield

  Method Lab II: Cocker, Gansterer, Greil

  Overchallenge as an artwork: Helmut Ploebst

  Ventilating Words: Jörg Piringer

  Transformative Figures: Cocker, Gansterer, Greil

  Score drawings: Nikolaus Gansterer

  The Riddle of the Score: Karin Harasser

  Writing Ourselves: Alva Noë

  Embodied Diagrammatics: Cocker, Gansterer, Greil

  Score it!: Lilia Mestre

  Measures for Creating Space: Gerhard Dirmoser, Christopher Dell

  Where-ness: Cocker, Gansterer, Greil

  Choreo-graphic Index

  Appendix: Biographies, Imprint and Acknowledgments