Zusatztext "Top Pick! Readers will be thrilled and amazed with this prequel to The Mortal Instruments! tearing their way through a beautifully constructed story of action! magic! mayhem! and romance. Fans and newcomers alike will be enchanted by Clare's fantastical world and left begging for more!" - Romantic Times Book Reviews Informationen zum Autor Cassandra Clare is the #1 New York Times and USA TODAY bestselling author of Chain of Gold as well as the internationally bestselling Dark Artifices trilogy, Mortal Instruments series, and Infernal Devices trilogy. She is the coauthor of the Eldest Curses series with Wesley Chu; The Bane Chronicles with Sarah Rees Brennan and Maureen Johnson; Tales from the Shadowhunter Academy with Sarah Rees Brennan, Maureen Johnson, and Robin Wasserman; and Ghosts of the Shadow Market with Sarah Rees Brennan, Maureen Johnson, Kelly Link, and Robin Wasserman. Her books have more than 50 million copies in print worldwide and have been translated into more than thirty-five languages and made into a feature film and a TV show. Cassandra lives in western Massachusetts. Visit her at CassandraClare.com. Learn more about the world of the Shadowhunters at Shadowhunters.com.Clockwork Angel 1 THE DARK HOUSE Beyond this place of wrath and tears Looms but the Horror of the shade William Ernest Henley, Invictus The Sisters would like to see you in their chambers, Miss Gray. Tessa set the book she had been reading down on the bedside table, and turned to see Miranda standing in the doorway of her small roomjust as she did at this time every day, delivering the same message she delivered every day. In a moment Tessa would ask her to wait in the corridor, and Miranda would leave the room. Ten minutes later she'd return and say the same thing again. If Tessa didn't come obediently after a few of these attempts, Miranda would seize her and drag her, kicking and screaming, down the stairs to the hot, stinking room where the Dark Sisters waited. It had happened every day of the first week that Tessa had been in the Dark House, as she had come to call the place they kept her prisoner, until eventually Tessa had realized that the screaming and kicking didn't do much good and simply wasted her energy. Energy that was probably better saved for other things. One moment, Miranda, Tessa said. The maid bobbed an awkward curtsy and went out of the room, shutting the door behind her. Tessa rose to her feet, glancing around the small room that had been her prison cell for six weeks. It was small, with flowered wallpaper, and sparsely furnisheda plain deal table with a white lace cloth over it where she ate her meals; the narrow brass bed where she slept; the cracked washstand and porcelain jug for her ablutions; the windowsill where she stacked her books, and the small chair where she sat each night and wrote letters to her brotherletters she knew she could never send, letters she kept hidden under her mattress where the Dark Sisters would not find them. It was her way of keeping a diary and of assuring herself, somehow, that she would see Nate again someday and be able to give them to him. She crossed the room to the mirror that hung against the far wall, and smoothed down her hair. The Dark Sisters, as they in fact seemed to wish to be called, preferred her not to look messy, although they didn't appear to mind her appearance one way or the other past thatwhich was fortunate, because her reflection made her wince. There was the pale oval of her face dominated by hollow gray eyesa shadowed face without color in its cheeks or hope in its expression. She wore the unflattering black schoolmarmish dress that the Sisters [

](../styles/9781442409460.css)1

THE DARK HOUSE

Beyond this place of wrath and tears

Looms but the Horror of the shade

—William Ernest Henley, “Invictus”

“The Sisters would like to see you in their chambers, Miss Gray.”

Tessa set the book she had been reading down on the bedside table, and turned to see Miranda standing in the doorway of her small room—just as she did at this time every day, delivering the same message she delivered every day. In a moment Tessa would ask her to wait in the corridor, and Miranda would leave the room. Ten minutes later she’d return and say the same thing again. If Tessa didn’t come obediently after a few of these attempts, Miranda would seize her and drag her, kicking and screaming, down the stairs to the hot, stinking room where the Dark Sisters waited.

It had happened every day of the first week that Tessa had been in the Dark House, as she had come to call the place they kept her prisoner, until eventually Tessa had realized that the screaming and kicking didn’t do much good and simply wasted her energy. Energy that was probably better saved for other things.

“One moment, Miranda,” Tessa said. The maid bobbed an awkward curtsy and went out of the room, shutting the door behind her.

Tessa rose to her feet, glancing around the small room that had been her prison cell for six weeks. It was small, with flowered wallpaper, and sparsely furnished—a plain deal table with a white lace cloth over it where she ate her meals; the narrow brass bed where she slept; the cracked washstand and porcelain jug for her ablutions; the windowsill where she stacked her books, and the small chair where she sat each night and wrote letters to her brother—letters she knew she could never send, letters she kept hidden under her mattress where the Dark Sisters would not find them. It was her way of keeping a diary and of assuring herself, somehow, that she would see Nate again someday and be able to give them to him.

She crossed the room to the mirror that hung against the far wall, and smoothed down her hair. The Dark Sisters, as they in fact seemed to wish to be called, preferred her not to look messy, although they didn’t appear to mind her appearance one way or the other past that—which was fortunate, because her reflection made her wince. There was the pale oval of her face dominated by hollow gray eyes—a shadowed face without color in its cheeks or hope in its expression. She wore the unflattering black schoolmarmish dress that the Sisters had given her once she’d arrived; her trunk had never followed her, despite their promises, and this was now the only piece of clothing she owned. She looked away quickly.

She hadn’t always flinched from her reflection. Nate, with his fair good looks, was the one in the family generally agreed to have inherited her mother’s beauty, but Tessa had always been perfectly content with her own smooth brown hair and steady gray eyes. Jane Eyre had had brown hair, and plenty of other heroines besides. And it wasn’t so bad being tall, either—taller than most of the boys her own age, it was true, but Aunt Harriet had always said that as long as a tall woman carried herself well, she would forever look regal.

She didn’t look regal now, though. She looked pinched and bedraggled and altogether like a frightened scarecrow. She wondered if Nate would even recognize her if he saw her today.

At that thought her heart seemed to shrink inside her chest. Nate. He was the one she was doing all this for, but sometimes she missed him so much it felt like she’d swallowed broken glass. Without him, she was completely alone in the world. There was no one at all for her. No one in the world who cared whether she lived or died. Sometimes the horror of that thought threatened to overwhelm her and plunge her down into a bottomless darkness from which there would be no return. If no one in the entire world cared about you, did you really exist at all?

The click of the lock cut her thoughts off abruptly. The door opened; Miranda stood on the threshold.

“It is time to come with me now,&r…