Informationen zum Autor Brian Friel (9 January 1929 - 2 October 2015) wrote thirty plays across six decades and is widely regarded as one of Ireland's greatest dramatists. He was a member of Aosdána, the society of Irish artists, the American Academy of Arts and Letters, the Irish Academy of Letters, and the Royal Society of Literature where he was made a Companion of Literature. He was awarded the Ulysses Medal by University College, Dublin. Plays include Hedda Gabler (after Ibsen), The Home Place , Performances , Three Plays After (Afterplay, The Bear, The Yalta Game) , Uncle Vanya (after Chekhov), Give Me Your Answer Do! , Molly Sweeney (Winner of the New York Drama Critics Circle Award for Best Foreign Play), Wonderful Tennessee , A Month in the Country (after Turgenev), The London Vertigo (after Charles Macklin), Dancing at Lughnasa (Winner of 3 Tony Awards including Best Play, New York Drama Critics Circle Award for Best Play, Olivier Award for Best Play), Making History , The Communication Cord , American Welcome , Three Sisters (after Chekhov), Translations , Aristocrats (Winner of the Evening Standard Award for Best Play and New York Drama Critics Circle Award for Best Foreign Play), Faith Healer , Fathers and Sons , Living Quarters , Volunteers , The Freedom of the City , The Gentle Island , The Mundy Scheme , Crystal and Fox , Lovers: Winners and Losers , The Loves of Cass Maguire , and Philadelphia Here I Come! Klappentext The action takes place in late August 1833 at a hedge-school in the townland of Baile Beag, an Irish-speaking community in County Donegal. In a nearby field camps a recently arrived detachment of the Royal Engineers, making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names have to be recorded and rendered into English. In examining the effects of this operation on the lives of a small group, Brian Friel skillfully reveals the far-reaching personal and cultural effects of an action which is at first sight purely administrative. Vorwort A profound political and philosophical insight into the individual lives of a small Irish-speaking community living in the townland of Baile Beag in County Donegal. Zusammenfassung The action takes place in late August 1833 at a hedge-school in the townland of Baile Beag, an Irish-speaking community in County Donegal....

Vorwort
A profound political and philosophical insight into the individual lives of a small Irish-speaking community living in the townland of Baile Beag in County Donegal.

Autorentext

Brian Friel (9 January 1929 - 2 October 2015) wrote thirty plays across six decades and is widely regarded as one
of Ireland's greatest dramatists. He was a member of Aosdána, the society of Irish artists, the American Academy
of Arts and Letters, the Irish Academy of Letters, and the Royal Society of Literature where he was made
a Companion of Literature. He was awarded the Ulysses Medal by University College, Dublin.

Plays include Hedda Gabler (after Ibsen), The Home Place, Performances, Three Plays After (Afterplay, The Bear,
The Yalta Game), Uncle Vanya (after Chekhov), Give Me Your Answer Do!, Molly Sweeney (Winner of the New
York Drama Critics Circle Award for Best Foreign Play), Wonderful Tennessee, A Month in the Country (after
Turgenev), The London Vertigo (after Charles Macklin), Dancing at Lughnasa (Winner of 3 Tony Awards including
Best Play, New York Drama Critics Circle Award for Best Play, Olivier Award for Best Play), Making History, The
Communication Cord, American Welcome, Three Sisters (after Chekhov), Translations, Aristocrats (Winner of the
Evening Standard Award for Best Play and New York Drama Critics Circle Award for Best Foreign Play), Faith
Healer, Fathers and Sons, Living Quarters, Volunteers, The Freedom of the City, The Gentle Island, The Mundy
Scheme, Crystal and Fox, Lovers: Winners and Losers, The Loves of Cass Maguire, and Philadelphia Here I Come!

Klappentext

The action takes place in late August 1833 at a hedge-school in the townland of Baile Beag, an Irish-speaking community in County Donegal. In a nearby field camps a recently arrived detachment of the Royal Engineers, making the first Ordnance Survey. For the purposes of cartography, the local Gaelic place names have to be recorded and rendered into English. In examining the effects of this operation on the lives of a small group, Brian Friel skillfully reveals the far-reaching personal and cultural effects of an action which is at first sight purely administrative.