<NEW YORK TIMES <BESTSELLER &bull;&#160;COMING SOON TO APPLE TV+&#160;&bull; A &ldquo;mind-blowing&rdquo; (<Entertainment Weekly<) speculative thriller about an ordinary man who awakens in a world inexplicably different from the reality he thought he knew&mdash;from the author of <Upgrade, Recursion, <and the Wayward Pines trilogy
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<&ldquo;Are you happy with your life?&rdquo;<

Those are the last words Jason Dessen hears before the kidnapper knocks him unconscious.&#160;

Before he awakens to find himself strapped to a gurney, surrounded by strangers in hazmat suits.

Before a man he&rsquo;s never met smiles down at him and says, &ldquo;Welcome back, my friend.&rdquo;

In this world he&rsquo;s woken up to, Jason&rsquo;s life is not the one he knows. His wife is not his wife. His son was never born. And Jason is not an ordinary college professor but a celebrated genius who has achieved something remarkable. Something impossible.

Is it this life or the other that&rsquo;s the dream? And even if the home he remembers is real, how will Jason make it back to the family he loves?

From the bestselling author Blake Crouch, <Dark Matter <is a mind-bending thriller about choices, paths not taken, and how far we&rsquo;ll go to claim the lives we dream of.

Autorentext
Blake Crouch&#160;is a bestselling novelist and screenwriter. His novels include Upgrade, Recursion, Dark Matter, and the Wayward Pines trilogy,&#160;which was adapted into a television series for FOX. Crouch also co-created the TNT show Good Behavior, based on his Letty Dobesh novellas. He lives in Colorado.

Klappentext

NEW YORK TIMES BESTSELLER •&#160;COMING SOON TO APPLE TV+&#160;• A “mind-blowing” (Entertainment Weekly) speculative thriller about an ordinary man who awakens in a world inexplicably different from the reality he thought he knew—from the author of Upgrade, Recursion, and the Wayward Pines trilogy
*“Are you happy with your life?”*

Those are the last words Jason Dessen hears before the kidnapper knocks him unconscious.&#160;

Before he awakens to find himself strapped to a gurney, surrounded by strangers in hazmat suits.

Before a man he’s never met smiles down at him and says, “Welcome back, my friend.”

In this world he’s woken up to, Jason’s life is not the one he knows. His wife is not his wife. His son was never born. And Jason is not an ordinary college professor but a celebrated genius who has achieved something remarkable. Something impossible.

Is it this life or the other that’s the dream? And even if the home he remembers is real, how will Jason make it back to the family he loves?

From the bestselling author Blake Crouch, Dark Matter is a mind-bending thriller about choices, paths not taken, and how far we’ll go to claim the lives we dream of.

Leseprobe
I love Thursday nights.

They have a feel to them that’s outside of time.

It’s our tradition, just the three of us—family night.

My son, Charlie, is sitting at the table, drawing on a sketch pad. He’s almost fifteen. The kid grew two inches over the summer, and he’s as tall as I am now.

I turn away from the onion I’m julienning, ask, “Can I see?”

He holds up the pad, shows me a mountain range that looks like something on another planet.

I say, “Love that. Just for fun?”
&#160;
“Class project. Due tomorrow.”

“Then get back to it, Mr. Last Minute.”

Standing happy and slightly drunk in my kitchen, I’m unaware that tonight is the end of all of this. The end of everything I know, everything I love.

No one tells you it’s all about to change, to be taken away. There’s no proximity alert, no indication that you’re standing on the precipice. And maybe that’s what makes tragedy so tragic. Not just what happens, but how it happens: a sucker punch that comes at you out of nowhere, when you’re least expecting. No time to flinch or brace.

The track lights shine on the surface of my wine, and the onion is beginning to sting my eyes. Thelonius Monk spins on the old turntable in the den. There's a richness to the analog recording I can never get enough of, especially the crackle of static between tracks. The den is filled with stacks and stacks of rare vinyl that I keep telling myself I'll get around to organizing one of these days.

My wife, Daniela, sits on the kitchen island, swirling her almost­ empty wineglass in one hand and holding her phone in the other. She feels my stare and grins without looking up from the screen.

“I know,” she says. “I’m violating the cardinal rule of family night.”

“What’s so important?” I ask.

She levels her dark, Spanish eyes on mine. “Nothing.”

I walk over to her, take the phone gently out of her hand, and set it on the countertop.

“You could start the pasta,” I say.

“I prefer to watch you cook.”

“Yeah?” Quieter: “Turns you on, huh?”

“No, it's just more fun to drink and do nothing.”

Her breath is wine-sweet, and she has one of those smiles that seem architecturally impossible. It still slays me.

I polish off my glass. “We should open more wine, right?”

“It would be stupid not to.”

As I liberate the cork from a new bottle, she picks her phone back up and shows me the screen.

“I was reading Chicago Magazine's re­ view of Marsha Altman's show.”

“Were they kind?”

“Yeah, it's basically a love letter.”
&#160;
“Good for her.”

“I always thought . . .” She lets the sentence die, but I know where it was headed. Fifteen years ago, before we met, Daniela was a comer to Chicago's art scene. She had a studio in Bucktown, showed her work in a half dozen galleries, and had just lined up her first solo exhibition in New York. Then came life. Me. Charlie. A bout of crippling post­ partum depression.

Derailment.

Now she teaches private art lessons to middle-grade students.

“It’s not that I’m not happy for her. I mean, she's brilliant, she de­serves it all.”

I say, “If it makes you feel any better, Ryan Holder just won the Pavia Prize.”

“What’s that?”

“A multidisciplinary award given for achievements in the life and physical sciences. Ryan won for his work in neuroscience.”

“Is it a big deal?”

“Million dollars. Accolades. Opens the floodgates to grant money.”

“Hotter TA’s?”

“Obviously, that's the real prize. He invited me to a little informal celebration tonight, but I passed.”

“Why?”

“Because ifs our night.”

“You should go.”

“I’d really rather not.”

Daniela lifts her empty glass. “So what you’re saying is, we both have good reason to drink a lot of wine tonight.”

I kiss her, and then pour generously from the newly opened bottle.

“You could've won that prize,” Daniela says.

“You could've owned this city’s art scene.”

“But we did this.” She gestures at the high-ceilinged expanse of our brownstone. I bought it pre-Daniela with an inheritance. “And we did that,” she says, pointing to Charlie as he sketches with a beau­tiful intensity that reminds me of Daniela when she's absorbed in a painting.

It’s a strange thing being the p…