Braiding together strands of literary, phenomenological and art historical reflection, Modernism and Phenomenology explores the ways in which modernist writers and artists return us to wonder before the world. Taking such wonder as the motive for phenomenology itself, and challenging extant views of modernism that uphold a mind-world opposition rooted in Cartesian thought, the book considers the work of modernists who, far from presenting perfect, finished models for life and the self, embrace raw and semi-chaotic experience. Close readings of works by Paul Cézanne, Gertrude Stein, Franz Kafka, Gerard Manley Hopkins, Wallace Stevens, Paul Klee, and Virginia Woolf explore how modernist texts and artworks display a deep-rooted openness to the world that turns us into "perpetual beginners." Pushing back against ideas of modernism as fragmentation or groundlessness, Mildenberg argues that this openness is less a sign of powerlessness and deferred meaning than of the very provisionality of experience.

Provides an accessible rendering of a vast array of philosophical literature. Explores how modernist writers and artists stimulate the development of human consciousness and self-awareness. Combines analysis of literary, phenomenological and art historical thinking.

Autorentext

Ariane Mildenberg is Lecturer in Modernism at the University of Kent, UK. She is co-editor of Phenomenology, Modernism and Beyond (2010) and has published various journal articles and essays on the interaction of phenomenology with modernist literature.

Inhalt
Chapter 1: Introduction: Phenomenology, Modernism and the Crisis of Modernity.- Chapter 2: On Apples, Broken Frames and Fallenness: Phenomenology and the Unfamiliar Gaze in Cézanne, Stein and Kafka.- Chapter 3: Winged Messengers and Earthly Angels: Experience and Expression in Hopkins, Stevens and Klee.- Chapter 4: Virginia Woolf's Interworld: Folds, Waves, Gazes .-Chapter 5: Hyperdialectic: A Modernist Adventure.