Informationen zum Autor Antonia Angress was born in Los Angeles and raised in San José, Costa Rica. She is a graduate of Brown University and the University of Minnesota MFA program, where she was a Winifred Fiction Fellow and a College of Liberal Arts Fellow. She lives in Minneapolis with her husband, the artist Connor McManus. Sirens & Muses is her first novel. Klappentext Four artists are drawn into a web of rivalry and desire at an elite art school and on the streets of New York in this gripping, provocative, and supremely entertaining ( BuzzFeed ) debut National Book Foundation 5 Under 35 Honoree • Captures the ache-inducing quality of art and desire . . . a deeply relatable and profoundly enjoyable read, one drenched in prismatic color and light.Kristen Arnett, New York Times bestselling author of With Teeth FINALIST FOR THE MINNESOTA BOOK AWARD • ONE OF THE BEST BOOKS OF THE YEAR: Glamour, PopSugar, Debutiful It's 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarefied bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa's unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can't shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Bergera once-controversial figurehead seeking to regain relevance. When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now all must struggle to find new identities in art, in society, and among each other. In the process, they must find either their most authentic terms of lifeof success, failure, and joyor risk losing themselves altogether. With a canny, critical eye, Sirens & Muses overturns notions of class, money, art, youth, and a generation's fight to own their future. Leseprobe Part One Chapter One Louisa's first assignment at Wrynn College of Art was paint home. She'd left home twelve days ago, and now, as she looked out the classroom window, it startled her still to see hills and sullen, huddled townhouses, the New England sky close and cold, nothing like at home, where the sky overwhelmed the land, a drama of clouds and rain and strange shafts of tawny light. She'd never been on her own before. Her year at South Louisiana Community College didn't count. She had slept in her old bedroom, borrowed her mother's car to get to class, worked the same shifts at Chez Jacqueline, eaten Sunday dinner at Grandma and Pepere's. Louisa was homesick. It was normal, she told herself. Even at nineteen-almost-twenty, it was normal. And so, alone in her studio, she'd cried a little as she painted Lake Martin at dusk, bald cypresses echoed by their dark reflections in the water. It was a placid scene, but ominous, tinged with danger, curdled at the edges like a faded bruise. In the background, low, swollen clouds gleamed with uncanny clarity and a flutter of pintails took off over the marsh. In the foreground, an ibis waded in the shallows, its bow-shaped beak slicing through the water. Its plumage was a soft, unglossed white, except for its black wingtips. Its pearly blue eye met the viewer's. She'd chosen an ibis because Grandma had once told her that it ...

Autorentext

Antonia Angress was born in Los Angeles and raised in San José, Costa Rica. She is a graduate of Brown University and the University of Minnesota MFA program, where she was a Winifred Fiction Fellow and a College of Liberal Arts Fellow. She lives in Minneapolis with her husband, the artist Connor McManus. Sirens & Muses is her first novel.

Klappentext

**Four artists are drawn into a web of rivalry and desire at an elite art school and on the streets of New York in this “gripping, provocative, and supremely entertaining” (BuzzFeed) debut

National Book Foundation 5 Under 35 Honoree • “Captures the ache-inducing quality of art and desire . . . a deeply relatable and profoundly enjoyable read, one drenched in prismatic color and light.”—Kristen Arnett, New York Times bestselling author of With Teeth
 
FINALIST FOR THE MINNESOTA BOOK AWARD • ONE OF THE BEST BOOKS OF THE YEAR: Glamour, PopSugar, Debutiful
 
It’s 2011: America is in a deep recession and Occupy Wall Street is escalating. But at the elite Wrynn College of Art, students paint and sculpt in a rarefied bubble. Louisa Arceneaux is a thoughtful, observant nineteen-year-old when she transfers to Wrynn as a scholarship student, but she soon finds herself adrift in an environment that prizes novelty over beauty. Complicating matters is Louisa’s unexpected attraction to her charismatic roommate, Karina Piontek, the preternaturally gifted but mercurial daughter of wealthy art collectors. Gradually, Louisa and Karina are drawn into an intense sensual and artistic relationship, one that forces them to confront their deepest desires and fears. But Karina also can’t shake her fascination with Preston Utley, a senior and anti-capitalist Internet provocateur, who is publicly feuding with visiting professor and political painter Robert Berger—a once-controversial figurehead seeking to regain relevance.   
  
When Preston concocts an explosive hoax, the fates of all four artists are upended as each is unexpectedly thrust into the cutthroat New York art world. Now all must struggle to find new identities in art, in society, and among each other. In the process, they must find either their most authentic terms of life—of success, failure, and joy—or risk losing themselves altogether. 

With a canny, critical eye, Sirens & Muses overturns notions of class, money, art, youth, and a generation’s fight to own their future.