What is the Gothic? Few literary genres have attracted so much praise and critical disdain simultaneously. This Guide returns to the Gothic novel's first wave of popularity, between 1764 and 1820, to explore and analyse the full range of contradictory responses that the Gothic evoked. Angela Wright appraises the key criticism surrounding the Gothic fiction of this period, from eighteenth-century accounts to present-day commentaries. Adopting an easy-to-follow thematic approach, the Guide examines:

• contemporary criticism of the Gothic
• the aesthetics of terror and horror
• the influence of the French Revolution
• religion, nationalism and the Gothic
• the relationship between psychoanalysis and the Gothic
• the relationship between gender and the Gothic.

Concise and authoritative, this indispensable Guide provides an overview of Gothic criticism and covers the work of a variety of well-known Gothic writers, such as Horace Walpole, Ann Radcliffe, Matthew Lewis and many others.

Covers the full range of criticism, from the Eighteenth century to the present day, on Gothic fiction produced during the Romantic era
Features wellknown Gothic writers of the period, such as Walpole, Radcliffe and Lewis, as well as more marginalized authors
Adopts an easytofollow thematic approach

Autorentext

ANGELA WRIGHT is Lecturer in Romantic Literature at the University of Sheffield, UK.

Inhalt

Acknowledgements.- Introduction.- 'Terrorist Novel Writing': The Contemporary Reception of Gothic.- Terror and Horror: Gothic Struggles.- 'Our hearths, our sepulchres': The Gothic and the French Revolution'.- 'The sanctuary is prophaned': Religion, Nationalism and the Gothic.- 'This narrative resembles a delirious dream': Psychoanalytical Readings of the Gothic.- 'It is not ours to make election for ourselves': Gender and the Gothic.- Conclusion.- Notes.- Bibliography.- Index.