This multi-authored monograph consists of sections about music created in conflict.

This multi-authored monograph consists of the sections: Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution, The Euromaidan's Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists?, Exposing the Fault Lines beneath the Kremlin's Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem, 'Lasha Tumbai', or 'Russia, Goodbye'? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground, and (Post-)Soviet Rock Soundtracks the Donbas Conflict.

Autorentext

Arve Hansen is a doctoral student of Russian at the UiT - the Arctic University of Norway. Dr. Andrei Rogatchevski is Professor of Russian Literature and Culture at the UiT - the Arctic University of Norway. Dr. Yngvar Steinholt is Associate Professor of Russian at the UiT - the Arctic University of Norway. Dr. David-Emil Wickström is Professor of Popular Music History at the Popakademie Baden-Württemberg in Mannheim, Germany. The author of the foreword: Artemy Troitsky is a prominent music critic and author of Back in the USSR: The True Story of Rock in Russia (1987), Tusovka: Who's Who in the New Soviet Rock Culture (1990), and Subkultura: Stories of Youth and Resistance in Russia, 1815-2017 (2017).

Klappentext

This multi-authored monograph consists of the sections: Pop Rock, Ethno-Chaos, Battle Drums, and a Requiem: The Sounds of the Ukrainian Revolution , The Euromaidan s Aftermath and the Genre of Answer Song: A Musical Dialogue Between the Antagonists? , Exposing the Fault Lines beneath the Kremlin s Restorative Geopolitics: Russian and Ukrainian Parodies of the Russian National Anthem , Lasha Tumbai , or Russia, Goodbye ? The Eurovision Song Contest as a Post-Soviet Geopolitical Battleground , and (Post-)Soviet Rock Soundtracks the Donbas Conflict .