''The pain of losing something precious can be forgotten over time. But our missed opportunities never leave us, and every time they come back to haunt us, we ache.'' A shy young man leaves his home in rural Turkey to learn a trade and discover life in 1920s Berlin. There, amid the city''s bustling streets, elegant museums, passionate politics and seedy cabarets, a chance meeting transforms his life forever. Caught between his desire for freedom and his yearning to belong, he struggles to hold on to the new life he has found.

Autorentext

Sabahattin Ali (1907-1948) ****was born in the Ottoman town of Egridere (now Ardino in southern Bulgaria). A teacher, novelist, short-story writer and journalist, he owned and edited a popular weekly newspaper called Marko Pasa. He is admired for the determination with which he defended his political beliefs, which are anchored through his writing. Madonna in a Fur Coat, first published in 1943, is his best-loved work and a touchstone of Turkish literary culture which continues to resonate profoundly with readers young and old today.

Klappentext

**The internationally bestselling tale of love and loss in 1920s Berlin, now in Penguin Clothbound Classics
**
'It is, perhaps, easier to dismiss a man whose face gives no indication of an inner life. And what a pity that is: a dash of curiosity is all it takes to stumble upon treasures we never expected.'

A shy young man leaves his home in rural Turkey to learn a trade in 1920s Berlin. The city's crowded streets, thriving arts scene, passionate politics and seedy cabarets provide the backdrop for a chance meeting with a woman, which will haunt him for the rest of his life. Emotionally powerful, intensely atmospheric and touchingly profound, Madonna in a Fur Coat is an unforgettable novel about new beginnings and the unfathomable nature of the human soul.

'Passionate but clear . . . Ali's success [is in ] his ability to describe the emergence of a feeling, seemingly straightforward from the outside but swinging back and forth between opposite extremes at its core, revealing the tensions that accompanies such rise and fall.' Atilla Özkirimli, writer and literary historian