Offers insight into the author's literary spirit and capacity for incisive understandings of political situations and includes pieces on Washington political inconsistencies, the ego displays of people in power, and the dilemmas of oppressed groups.

ldquo;It’s alive on every page, this thing; its feisty sentences wriggle … A Colossal Wreck will have a long life among those who care about the crackling deployment of the English language, partly because Mr. Cockburn had such a wide-ranging mind ... His book is a stay against boredom." —Dwight Garner, New York Times

“A Colossal Wreck provides ample evidence for Cockburn's standing as one of the left's most perceptive and entertaining commentators.” —*The Guardian

*“Alex struck American journalism like lightning.” —Michael Tomasky, *Daily Beast

*“Always surprising, outrageous, brilliant and yet strangely compassionate. He weaves together the public and the private with a sustained comic ingenuity that is matchless.” —Edward Said

“Alexander Cockburn set a high standard of crusading journalism for fifty years … With his Wildean wit, love of elegant women, penchant for hunting and fondness for P.G. Wodehouse, Cockburn defied the stereotype of the disgruntled left-wing scribe.” —The *Independent

“Cockburn essentially pioneered the modern persona for which Christopher Hitchens became much better known: the fancily Oxford-educated leftie Brit littérateur/journalist who would say all the outrageous things his bland Yank counterparts lacked the wit, courage, erudition, or épater-spirit to utter on their own … Cockburn was far more committed and purposeful in his outrageousness.” —*The Atlantic

Autorentext
Alexander Cockburn (1941–2012) was the coeditor of CounterPunch and the author of a number of titles, including Corruptions of Empire, The Golden Age Is in Us, Washington Babylon (with Ken Silverstein), and Imperial Crusades. One of three brothers, all journalists, he was the son of the journalist and author Claud Cockburn. Born in Ireland and educated in Scotland and England, he moved to America in 1972, soon establishing himself as a radical reporter and commentator, writing for the Village Voice, the New York Review of Books, Esquire and Harpers. He also wrote regular columns for the Nation, Wall Street Journal, Los Angeles Times, New Statesman, and his influential newsletter CounterPunch. In 1991 he settled in Petrolia, a rural hamlet in Humboldt County, Northern California, where he remained until his death.

Klappentext

"The Nation"'s controversial political columnist reflects on American empire and what it means for the future.

Zusammenfassung

Alexander Cockburn was without question one of the most influential journalists of his generation, whose writing stems from the best tradition of Mark Twain, H.L. Menchken and Tom Paine. Colossal Wreck, his final work, finished shortly before his death in July 2012, exemplifies the prodigious literary brio that made Cockburn’s name.

Whether ruthlessly exposing Beltway hypocrisy, pricking the pomposity of those in power, or tirelessly defending the rights of the oppressed, Cockburn never pulled his punches and always landed a blow where it mattered. In this panoramic work, covering nearly two decades of American culture and politics, he explores subjects as varied as the sex life of Bill Clinton and the best way to cook wild turkey. He stands up for the rights of prisoners on death row and exposes the chicanery of the media and the duplicity of the political elite. As he pursues a serpentine path through the nation, he charts the fortunes of friends, famous relatives, and sworn enemies alike to hilarious effect.

This is a thrilling trip through the reefs and shoals of politics and everyday life. Combining a passion for the places, the food and the people he encountered on dozens of cross-country journeys, Cockburn reports back over seventeen years of tumultuous change among what he affectionately called the “thousand landscapes” of the United States.