Informationen zum Autor Alejandro Miranda Nieto is a Postdoctoral Fellow at the Department of Sociology and Social Research at the University of Trento, Italy. Klappentext Musical Mobilities analyses how a musical tradition moves, literally and metaphorically: the ways in which people, objects and information travel across geographical locations, just as practices as recognisable entities circulate along with meanings, competencies and embodied dispositions. Zusammenfassung Musical Mobilities analyses how a musical tradition moves, literally and metaphorically: the ways in which people, objects and information travel across geographical locations, just as practices as recognisable entities circulate along with meanings, competencies and embodied dispositions. Inhaltsverzeichnis List of Figures Acknowledgements Introduction: Music, Circulation and Performance 1 The Heartbeat of Fandango 2 The Historical Circulation of Son Jarocho 3 Learning at Workshops 4 Journeying with a Practice 5 Rhythm, a Manner of Flowing 6 In the Grip of Friction Conclusion Appendix References Glossary of Selected Terms Index

Autorentext

Alejandro Miranda Nieto is a Postdoctoral Fellow at the Department of Sociology and Social Research at the University of Trento, Italy.

Klappentext

Musical Mobilities analyses how a musical tradition moves, literally and metaphorically: the ways in which people, objects and information travel across geographical locations, just as practices as recognisable entities circulate along with meanings, competencies and embodied dispositions.

Inhalt

List of Figures

Acknowledgements

Introduction: Music, Circulation and Performance

1 The Heartbeat of Fandango

2 The Historical Circulation of Son Jarocho

3 Learning at Workshops

4 Journeying with a Practice

5 Rhythm, a Manner of Flowing

6 In the Grip of Friction

Conclusion

Appendix

References

Glossary of Selected Terms

Index