Deploys philosophical theories and concepts to interrogate 'theatricality' Explores the notions of theatricality, performativity and cognitive ecology across a wide range of examples and case studies Offers a diverse collection of essays engaging with a variety of disciplines and historical contexts

Autorentext
Teemu Paavolainen is Research Fellow in Theatre and Performance at the University of Tampere, Finland. His Theatre/Ecology/Cognition: Theorizing Performer-Object Interaction in Grotowski, Kantor, and Meyerhold was published by Palgrave Macmillan in 2012. His articles have appeared in Performance Philosophy, Theatre Symposium, Nordic Theatre Studies, and The Cognitive Humanities (2016).

Klappentext
This book reinterprets theatricality and performativity through a dramaturgy of texture and weaving. As cultural metaphors, theatricality and performativity evoke practices of seeing and doing, but also conflicting values of novelty and normativity. With anthropologist Tim Ingold and philosopher Stephen C. Pepper, this study explores a series of intertwining threads, from the theatrical to the performative: Antitheatrical (Plato, the Baroque, Michael Fried); Pro-theatrical (directors Wagner, Fuchs, Meyerhold, Brecht, and Brook); Dramatic (weaving memory in Shaffer's Amadeus and Beckett's Footfalls); Efficient (from modernist machines for living in to the smart home); Activist (knit graffiti, clown patrols, and the Anthropo(s)cene). An approach is developed in which 'performativity' names the way we tacitly weave worlds and identities, variously concealed or clarified by the step-aside tactics of 'theatricality'.

Zusammenfassung
This book defines theatricality and performativity through metaphors of texture and weaving, drawn mainly from anthropologist Tim Ingold and philosopher Stephen C. Pepper. Tracing the two concepts' various relations to practices of seeing and doing, but also to conflicting values of novelty and normativity, the study proceeds in a series of intertwining threads, from the theatrical to the performative: Antitheatrical (Plato, the Baroque, Michael Fried); Pro-theatrical (directors Wagner, Fuchs, Meyerhold, Brecht, and Brook); Dramatic (weaving memory in Shaffer's Amadeus and Beckett's Footfalls); Efficient (from modernist machines for living in to the smart home); Activist (knit graffiti, clown patrols, and the Anthropo(s)cene). An approach is developed in which 'performativity' names the way we tacitly weave worlds and identities, variously concealed or clarified by the step-aside tactics of 'theatricality'.

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