Using a wide range of unexplored archival material, this book examines the 'spectral' influence of Victorian spiritualism and Psychical Research on women's writing, analyzing the ways in which modern writers have both subverted and mimicked nineteenth century sources in their evocation of the séance.

Autorentext
TATIANA KONTOU is Associate Tutor in English at the University of Sussex, UK. She has previously published an article on Wilkie Collins and Spiritualist practice in Wilkie Collins: Interdisciplinary Essays (2007) and is the guest editor for a special issue of Women's Writing on 'Women and the Victorian Occult' (2008).

Inhalt
List of Figures Acknowledgements Introduction Theatres in the Skull: The Society for Psychical Research and Actress Narratives Well-tuned Mediums: May Sinclair and Dorothy Richardson Phantasms of Florence Cook in Michèle Roberts' In the Red Kitchen Natural and Spiritual Evolutions: A. S. Byatt's Angels and Insects The Other World Illuminated: Wiring Science, Text and Spirit in Victoria Glendinning's Electricity Queering the Séance: Sarah Waters' Affinity Conclusion Bibliography Notes Index