This book investigates the scope and significance of Stanley Cavell's lifelong and lasting contribution to aesthetic understanding. Focusing on various strands of the rich body of Cavell's philosophical work, the authors explore connections between his wide-ranging writings on literature, music, film, opera, autobiography, Wittgenstein, and Austin to contemporary currents in aesthetic thinking. Most centrally, the writings brought together here from an international team of senior, mid-career, and emerging scholars, explore the illuminating power of Cavell's work for our deeper and richer comprehension of the intricate relations between aesthetic and ethical understanding. The chapters show what aesthetic understanding consists of, how such understanding might be articulated in the tradition of Cavell following Wittgenstein and J. L. Austin, and why this mode of human understanding is particularly important. At a time of quickening interest in Cavell and the tradition of which he is acentral part and present-day leading exponent, this book offers insight into the deepest contributions of a major American philosopher and the profound role that aesthetic experience can play in the humane understanding of persons, society, and culture.

Autorentext
Garry L. Hagberg is the James H. Ottaway Professor of Philosophy and Aesthetics at Bard College, USA. Previous publications include Art as Language: Wittgenstein, Meaning, and Aesthetic Theory, Meaning and Interpretation: Wittgenstein, Henry James, and Literary Knowledge (1998), and Describing Ourselves: Wittgenstein and Autobiographical Consciousness (2008). He has contributed to various journals, collections, and reference works, and is Editor of the journal Philosophy and Literature. He also recently edited Wittgenstein on Aesthetic Understanding (Palgrave, 2017) for the Philosophers in Depth book series, and is presently writing a new book on the contribution literary experience makes to the formation of self and sensibility, Living in Words: Literature, Autobiographical Language, and the Composition of Selfhood (forthcoming).

Inhalt

1. Introduction; Garry L. Hagberg.- Part I: Understanding Persons Through Film.- 2. I Want to Know More About You: On Knowing and Acknowledging in Chinatown; Francey Russell.- 3. Other Minds and Unknown Women: The Case of Gaslight; Jay R.Elliott.-4. The Melodrama of the Unknown Man; Peter Dula.- Part II: Shakespeare, Opera, and Philosophical Interpretation.-5. Cordelia's Moral Incapacity in King Lear David Anthony Holiday.- 6. Disowning Certainty: Tragic and Comic Skepticism in Cavell, Montaigne, and Shakespeare; Stan Benfell.-7. Must We Mean What We Sing?: Cosi fan tutte and the Lease of Voice; Ian Ground.- Part III: Aesthetic Understanding and Moral Life.-8. What Matters: The Ethics and Aesthetics of Importance; Sandra Laugier.-9. Achilles' Tears: Cavell, the Iliad, and Possibilities for the Human; David LaRocca.-10. Wittgenstein in the midst of Life, Death, Sanity, Madness - and Mathematics: Cavellian Themes; Richard McDonough.- Part IV: Reading Fiction and Literary Understanding.- 11. Fraudulence, Knowledge, and Post-Imperial Geographies in John Le Carré's Fiction: A Cavellian Postcolonial Reading; Alan Johnson.- 12. Must We Do What We Say? The Plight of Marriage and Conversation in George Meredith's The Egoist; Erin Greer.- 13. Within the Words of Henry James: Cavell as Austinian Reader; Garry L. Hagberg.- Index