Quoting Death in Early Modern England

An innovative study of the Renaissance practice of making epitaphic gestures within other English genres. A poetics of quotation uncovers the ways in which writers including Shakespeare, Marlowe, Holinshed, Sidney, Jonson, Donne, and Elizabeth I have recited these texts within new contexts.

Autorentext
Scott Newstok teaches English at Rhodes College, USA. He is the author of How to Think like Shakespeare and Quoting Death in Early Modern England; editor of *Paradise Lost: A Primer; and co-editor of Weyward Macbeth, a collection of essays exploring the intersection of race and performance.

Inhalt
Contents List of illustrations Acknowledgements Introduction: Reciting 'Epitaph' and 'Genre' in Early Modern England "Here lies": Pointing to the "Graue Forme" "Turn Thy Tombe Into a Throne": Elizabeth I's Death Rehearsal "In good stead of an epitaph": Verifying History "Killing rhetorick": The Poetics of Movere "An theater of mortality": In Sincerity, Onstage "Lapping-up of Matter": Epitaphic Closure in Elegies Epilogue: "Epitaph" for Epitaph Bibliography Index