Poetry and Work offers a timely and much-needed re-examination of the relationship between work and poetry. The volume questions how lines are drawn between work and non-work, how social, political, and technological upheavals transform the nature of work, how work appears or hides within poetry, and asks if poetry is work, or play, or something else completely. The book interrogates whether poetry and avant-garde and experimental writing can provide models for work that is less alienated and more free. In this major new collection, sixteen scholars and poets draw on a lively array of theory and philosophy, archival research, fresh readings, and personal reflection in order to consider work and poetry: the work in poetry and the work of poetry. Individual chapters address issues such as the many professions, occupations, and tasks of poets beyond and around writing; poetry's special relationship with 'craft'; work's relationship with gender, class, race, disability, and sexuality; how work gets recognised or rendered invisible in aesthetic production and beyond; the work of poetry and the work of political activism and organising; and the notion of poetry itself as a space where work and play can blur, and where postwork imaginaries can be nurtured and explored.

Autorentext

Jo Lindsay Walton is Research Fellow in Critical and Cultural Theory at the Sussex Humanities Lab, UK. His main research interests are modern and contemporary poetry, speculative fiction, and political economy.

Ed Luker is Associate Lecturer at University of Surrey, UK. He completed his PhD at Northumbria University on the poetry of J.H. Prynne in relation to British and North American poetry. As a poet his work includes Peak Return (2014), Headlost (2014), The Sea Together (2016), Compound Out The Fractured World (2017), and Heavy Waters (2019). 

Klappentext

Poetry and Work offers a timely and much-needed re-examination of the relationship between work and poetry. The volume questions how lines are drawn between work and non-work, how social, political, and technological upheavals transform the nature of work, how work appears or hides within poetry, and asks if poetry is work, or play, or something else completely. The book interrogates whether poetry and avant-garde and experimental writing can provide models for work that is less alienated and more free. In this major new collection, sixteen scholars and poets draw on a lively array of theory and philosophy, archival research, fresh readings, and personal reflection in order to consider work and poetry: the work in poetry and the work of poetry. Individual chapters address issues such as the many professions, occupations, and tasks of poets beyond and around writing; poetry's special relationship with 'craft'; work's relationship with gender, class, race, disability, and sexuality; how work gets recognised or rendered invisible in aesthetic production and beyond; the work of poetry and the work of political activism and organising; and the notion of poetry itself as a space where work and play can blur, and where postwork imaginaries can be nurtured and explored.

Inhalt

1.        Jo Lindsay Walton and Ed Luker, Introduction: Working Late

I. Essays

2.        Peter Middleton, Show Your Workings: Other Forms of Labour in Recent Poetry

3.        Lisa Jeschke, Bird-Song by Everyone, for Everyone: Poetry, Work and Play in J.H. Prynne's Prose

4.        Lila Matsumoto, The stitching of her wake: The Collaboration of Pamela Campion and Ian Hamilton Finlay

5.        Annabel Haynes, Basil Bunting and the Work of Poetry

6.        Eleanor Careless, 'Voluntary (hard) labour': Work in the poetry and prison correspondence of Anna Mendelssohn

7.        Nat Raha, Queer Labour in Boston: The work of John Wieners, Gay Liberation and Fag Rag

8.        Aimée Lê, Without the Text at Hand: Postcolonial Writing and the Work of Memorisation

9.        Samantha Walton, Body Burdens: The Materiality of Work in Rita Wong's forage

10.   Lytton Smith, Because We Love Wrong: Citizenship and Labour in Alena Hairston's The Logan Topographies       

11.   Jose-Luis Moctezuma, What Gives Pause or Impetus: The Double Bind of Labor in Rodrigo Toscano's Poetics           12.   Holly Pester, Distributed and Entangled Posture in Catherine Wagner's My New Job and Nervous Device   

II. Reflections

13.   Catherine Wagner, The Exploit: Affective Labor and Poetry at the University

14.   Tyrone Williams, Floating Onif not Upward

15.   Amber DiPietra, Extract from The Poetic Labor Project