This book investigates the expanding parameters for site-specific performance to account for the form's increasing popularity in the twenty-first century. Leading practitioners and theorists interrogate issues of performance and site to broaden our understanding of the role that place plays in performance and the ways that performance influences it

Autorentext
BRUCE BARTON Creator/scholar teaching at the University of Toronto, Canada SUSAN BENNETT University Professor in the Department of English, University of Calgary, Canada JANE COLLINS Professor of Theatre and Performance, Wimbledon College of Art, University of the Arts, London, UK LESLEY FERRIS Arts and Humanities Distinguished Professor of Theatre, Ohio State University, USA SUSAN HAEDICKE Associate Professor, School of Theatre, Performance, and Cultural Policy Studies, University of Warwick, UK HELEN IBALL Lecturer in Theatre Studies, University of Leeds, UK KATHLEEN IRWIN Head of the Theatre Department, University of Regina, Canada MICHAEL MCKINNIE Senior Lecturer in Drama, Queen Mary, University of London, UK SOPHIE NIELD Department of Drama and Theatre, Royal Holloway, University of London, UK LOUISE OWEN Lecturer in Theatre and Performance, Birkbeck College, University of London, UK MIKE PEARSON Professor of Performance Studies, Department of Theatre, Film and Television Studies, Aberystwyth University, UK JULIE SANDERS Professor of English Literature and Drama, University of Nottingham, UK RICHARD WINDEYER Digital media creative, audio artist, composer, musician and educator, Wilfrid Laurier University, Canada KEREN ZAIONTZ Lecturer of Drama, Theatre, and Performance, Roehampton University, UK

Inhalt
List of Illustrations Acknowledgements Notes on Contributors The 'Place' and Practice of Site-Specific Theatre and Performance; J.Tompkins PART I: SITE-SPECIFICITY AND ECONOMICS Rethinking Site-Specificity: Monopoly, Urban Space, and the Cultural Economics of Site-specific Performance; M.McKinnie PART II: SITE-SPECIFICITY AND THE NARRATIVES OF HISTORY Rehearsing Across Space and Place: Rethinking A Masque Presented at Ludlow Castle; S.Bennett & J.Sanders Embodied Presence and Dislocated Spaces: Playing the Audience in Ten Thousand Several Doors in a Promenade, Site-specific Performance of John Webster's The Duchess of Malfi ; J.Collins Haunted House: Staging The Persians with the British Army; M.Pearson Toiling, Tolling and Telling: Performing Dissensus; K.Irwin PART III: SITE SPECIFITIY AND THE SLIPPAGE OF PLACE Beyond Site-specificity: Environmental Heterocosms on the Street; S.Haedicke Repetition and Performativity: Site-specific Performance and Film as Living Monument; A.Birch Contemporary Ekkeklemas in Site-specific Performance; L.Ferris 'Places, like property prices, go up and down': Site-specificity, Regeneration and The Margate Exodus; L.Owen PART IV: SITE-SPECIFICITY AND THEATRICAL INTIMACY Ambulatory Audiences and Animate Sites: Staging the Spectator in Site-specific Performance; K.Zaiontz Immersive Negotiations: Binaural Perspectives on Site-specific Sound; B.Barton & R.Windeyer My Sites Set on You: Site-specificity and Subjectivity in 'Intimate Theatre'; H.Iball PART V: SITE SPECIFICITY AND POLITICS Siting the People: Power, Protest and Public Space; S.Nield Bibliography Index