On Popular Music and Its Unruly Entanglements comprises eleven essays that explore the myriad ways in which popular music is entwined within social, cultural, musical, historical, and media networks. The authors discuss genres as diverse as mainstream pop, hip hop, classic rock, instrumental synthwave, video game music, amateur ukelele groups, and audiovisual remixes, while also considering the music's relationship to technological developments, various media and material(itie)s, and personal and social identity. The collection presents a range of different methodologies and theoretical positions, which results in an eclecticism that aptly demonstrates the breadth of contemporary popular music research. The chapters are divided into three major sections that address: wider theoretical and analytical issues ("Broad Strokes"), familiar repertoire or concepts from a new perspective ("Second Takes"), and the meanings to arise from music's connections with other media forms ("Audiovisual Entanglements").

Autorentext
Nick Braae is an academic staff member in Music at the Waikato Institute of Technology, New Zealand.

Kai Arne Hansen is Associate Professor of Music in the Department of Art and Cultural Studies, Inland Norway University of Applied Sciences. 

Zusammenfassung

On Popular Music and Its Unruly Entanglements comprises eleven essays that explore the myriad ways in which popular music is entwined within social, cultural, musical, historical, and media networks. The authors discuss genres as diverse as mainstream pop, hip hop, classic rock, instrumental synthwave, video game music, amateur ukelele groups, and audiovisual remixes, while also considering the music's relationship to technological developments, various media and material(itie)s, and personal and social identity. The collection presents a range of different methodologies and theoretical positions, which results in an eclecticism that aptly demonstrates the breadth of contemporary popular music research. The chapters are divided into three major sections that address: wider theoretical and analytical issues (Broad Strokes), familiar repertoire or concepts from a new perspective (Second Takes), and the meanings to arise from music's connections with other media forms (Audiovisual Entanglements).

Inhalt
Introduction; Nick Braae and Kai Arne Hansen
Section I: Broad Strokes1. Scratching the Surface: Texts and Textures in Music Studiesor, Musicology without Music; Kyle Devine2. From Music Analysis to Narrative Reading: A Case Study of Recorded Popular Song; Alex C. Harden3. Kristeva and Popular Music; Nathan Wiseman-Trowse4. The Shape of the Voice: Analyzing Vocal Gestures in Irish Traditional Music and Popular Song; Bláithín Duggan5. It's a Dark Philosophy: The Weeknd, Intermediality, and the Aestheticization of Provocative Themes; Kai Arne Hansen
Section II: Second Takes6. Treating Cultural Trauma with Music: The Representation of War in the Music of Bruce Springsteen; Susanna Välimäki7. Linear Temporality in Popular Song; Nick Braae8. To Prepare a Face to Meet the Faces that you Meet: The Instrumental Retrowave Persona; Andrei Sora9. Electric Affinities: Wagner, Hendrix, and the Thingness of Sound; Erik Steinskog
Section III: Entanglements10. Timbre, Genre, and Polystylism in Video Game Music; Megan Lavengood11. A Musical Exploration of Incongruity and its Humorous Effects; Ragnhild Brøvig-Hanssen12. The Empowerment of the Listener in Kendrick Lamar's Backseat Freestyle; Steven Gamble13. Psychedelic Ways of Listening: A Gothic Case Study; Claire Rebecca Bannister14. Taken by Strum: Ukulele Jamming as Musical Experience; Matthew BannisterAfterword; Allan F. Moore