This book is concerned with our ideological, technical and emotional investments in reclaiming medieval for contemporary popular culture. The authors illuminate both medieval and contemporary popular culture in surprising and productive ways while interrogating the many ways in which metamedievalism reinterprets and reconceptualises the medieval.

Autorentext
Candace Barrington Andrew Lynch Steve Ellis Louise D'Arcens Daniel T. Kline Robert Sturges Steve Guthrie Brantley L. Bryant Angela Jane Weisl Richard Utz Leslie Coote Philippa Semper Gail Ashton Kathleen Coyne Kelly

Inhalt

1. 'The YouTube Prioress: Anti-Semitism and Twenty-First Century Participatory Culture' 2. 'Animated Conversations in Nottingham: Disney's Robin Hood (1973) ' 3. 'Virginia Woolf's Middle Ages' 4. 'Dario Fo's Mistero Buffo and the Left-Modernist Reclamation of Medieval Popular Culture' 5. 'Acephalic History: A Bataillian Reading of Monty Python and the Holy Grail' 6. 'Medievalism and Periodization in Frozen River and The Second Shepherds' Play: Environment, Class, Miracle' 7. 'Time Travel, Pulp Fictions, and Changing Attitudes Toward the Middle Ages: Why You Can't Get Renaissance on Somebody's Ass' 8. 'H. P. Lovecraft's Unnamable Middle Ages' 9. 'Confession, Contrition, and the Rhetoric of Tears: Medievalism and Reality Television,' 10. 'Robin Hood, Frenched' 11. 'Brief Encounters: Arthur's Epic Journey in Antoine Fuqua's King Arthur (2005)' 12. 'My other world': Historical Reflections and Refractions in Modern Arthurian Fantasy' 13. 'Queer Origins, Deformed Lines: Seeding the Future in Torchwood's 'Children of Earth'' 14. 'The Medieval Entertainment Channel: The Shrek Quartet'