The seduction-theory defines film in a broader sense as a medium of seduction, based on the French concept of séduction. It is a theoretical approach influenced by continental philosophy and classical film theory, linked to a three-stage analytical model. The book introduces the theoretical foundations and, using various classical and contemporary examples from film history, presents a genuine method of film analysis.

The Author

Prof. Dr. Marcus Stiglegger teaches Film and Image Studies in Muenster and Regensburg.

The translation was done with the help of artificial intelligence. A subsequent human revision was done primarily in terms of content.

Autorentext

Prof. Dr. Marcus Stiglegger teaches Film and Image Studies in Muenster and Regensburg.