As theatres expanded in the eighteenth and nineteenth centuries, the distance between actor and audience became a telling metaphor for the distance emerging between writers and readers. Nuss explores the ways in which theatre helped authors imagine connecting with a new mass audience.

Autorentext
Melynda Nuss is an associate professor in the Department of English at the University of Texas-Pan American, USA.

Inhalt
Introduction: Impossible Theaters 1. Pantomime: Killing the Drama in Order to Save It 2. Spaces with Meaning: Crossing from Stage to Closet in Byron and Inchbald 3. Man Seeing: Wordsworth and the Theatrical Voice 4. 'The Great Master Of Ideal Mimicry": Shelley´s Struggle With The Actor 5. Creative Spectacle: Hunt, Hazlitt, De Quincey Conclusion: Reaching a Mass Audience Face to Face