In this 'critical playthrough' of The Last of Us, Ramirez thinks the game's various tropes and processes through the 'metagame' of hegemonic masculinity and neoliberal individualism, producing a superb close reading of how the game's possibility space maps onto contemporary debates about whiteness, violence, and neoliberalism. Prof. Gerald Voorhees, University of Waterloo, Canada.

Autorentext
J. Jesse Ramirez is Assistant Professor of American Studies at University of St. Gallen, Switzerland.

Zusammenfassung

Widely regarded by critics and fans as one of the best games ever produced for the Sony Playstation, The Last of Us is remarkable for offering players a narratively rich experience within the parameters of cultural and gaming genres that often prioritize frenetic violence by straight white male heroes. The Last of Us is also a milestone among mainstream, big-budget (AAA) games because its development team self-consciously intervened in videogames' historical exclusion of women and girls by creating complex and agentive female characters. The game's co-protagonist, Ellie, is a teenage girl who is revealed to be queer in The *Last of Us: Left Behind (DLC, 2014) and The Last of Us II (2020). Yet The Last of Us* also centers Joel, Ellie's fatherly protector.

How is patriarchy, the rule of the father, encoded in rule-based systems like videogames? How does patriarchal rule become an algorithmic rule and vice-versa? These questions are at the heart of this book, the first comprehensive scholarly analysis of the zombie apocalypse/ action-adventure/ third-person shooter videogame The Last of Us (2013). On the one hand, the book is a close, extended study of The Last of Us and its themes, genres, procedures, and gameplay. On the other hand, the book is a post-GamerGate reflection on the political and ethical possibilities of progressive play in algorithmic mass culture, of which videogames are now the dominant form.

Inhalt

Chapter 1. Introduction: Spoiler Alert

Chapter 2. Prologue: Father Fails

Part I. Summer

Chapter 3. Quarantine Zone: American Dystopia

Chapter 4. The Outskirts: Fridging Tess

Chapter 5. Bill's Town: No Country for Gay Men

Chapter 6. Pittsburg and Suburbs: Sacrificial Blackness

Part II. Fall

Chapter 7. Tommy's Dam and The University: The New Frontier

Part III. Winter

Chapter 8. Lakeside Resort: Reversal

Part IV. Spring

Chapter 9. Bus Depot, Firefly Lab, and Jackson: What a Dad's Gotta Do

Conclusion: Good Riddance, Joel!