Dancers create 'civic culture' as performances for public consumption, but also as vernaculars connecting individuals who may have little in common. Examining performance and the construction of culturally diverse communities the book suggests that amateur and concert dance can teach us how to live and work productively together.

Autorentext

JUDITH HAMERA is Professor and Head of the Department of Performance Studies at Texas A&M University, USA. She is the editor of Open Acts: Performance in/as Communication and Cultural Studies and co-editor of The Handbook of Performance Studies. She is the recipient of the National Communication Association's Lilla Heston Award for Outstanding Scholarship in Interpretation and Performance Studies, and received her Ph.D. in Performance Studies from Northwestern University, USA.

Inhalt
List of Photographs Acknowledgements Series Editor's Preface Introduction: Dancing the City Intimacies in Motion Corporeal Chronotopes: Making Place and Keeping Time in Ballet Saving Khmer Classical Dance in Long Beach Dancing Other-Wise: Ethics, Difference and Transcendence in Hae Kyung Lee and Dancers Conclusion: Dancing Communities - Ideas of Order, Queer Intimacies, Civic Infrastructure References Index