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Late Godard and the Possibilities of Cinema

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  • 326 Seiten
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With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard... Weiterlesen
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Beschreibung

With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films-Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zero (Germany 90 Nine Zero, 1991)-and the monumental late video work, Histoire(s) du cinema (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.

Autorentext

Daniel Morgan is Assistant Professor of Film Studies at the University of Pittsburgh.



Klappentext

With Late Godard and the Possibilities of Cinema, Daniel Morgan makes a significant contribution to scholarship on Jean-Luc Godard, especially his films and videos since the late 1980s, some of the most notoriously difficult works in contemporary cinema. Through detailed analyses of extended sequences, technical innovations, and formal experiments, Morgan provides an original interpretation of a series of several internally related films-Soigne ta droite (Keep Your Right Up, 1987), Nouvelle vague (New Wave, 1990), and Allemagne 90 neuf zéro (Germany 90 Nine Zero, 1991)-and the monumental late video work, Histoire(s) du cinéma (1988-1998). Taking up a range of topics, including the role of nature and natural beauty, the relation between history and cinema, and the interactions between film and video, the book provides a distinctive account of the cinematic and intellectual ambitions of Godard's late work. At the same time, Late Godard and the Possibilities of Cinema provides a new direction for the fields of film and philosophy by drawing on the idealist and romantic tradition of philosophical aesthetics, which rarely finds an articulation within film studies. In using the tradition of aesthetics to illuminate Godard's late films and videos, Morgan shows that these works transform the basic terms and categories of aesthetics in and for the cinema.



Inhalt

List of Illustrations
Preface
Acknowledgments
Introduction
PART ONE
1. The Work of Aesthetics
2. Nature and Its Discontents
3. Politics by Other Means
PART TWO
4. Cinema without Photography
5. What Projection Does
6. Cinema after the End of Cinema (Again)
Notes
Index

Produktinformationen

Titel: Late Godard and the Possibilities of Cinema
Autor:
EAN: 9780520953963
ISBN: 978-0-520-95396-3
Digitaler Kopierschutz: Adobe-DRM
Format: E-Book (epub)
Herausgeber: University of California Press
Genre: Kunst
Anzahl Seiten: 326
Veröffentlichung: 22.11.2012
Jahr: 2012
Auflage: 1. Auflage
Untertitel: Englisch
Dateigrösse: 1.2 MB