This book illustrates the many ways that actors contribute to American independent cinema. Analyzing industrial developments, it examines the impact of actors as writers, directors, and producers, and as stars able to attract investment and bring visibility to small-scale productions. Exploring cultural-aesthetic factors, the book identifies the various traditions that shape narrative designs, casting choices, and performance styles. The book offers a genealogy of industrial and aesthetic practices that connects independent filmmaking in the studio era and the 1960s and 1970s to American independent cinema in its independent, indie, indiewood, and late-indiewood forms. Chapters on actors' involvement in the evolution of American independent cinema as a sector alternate with chapters that show how traditions such as naturalism, modernism, postmodernism, and Third Cinema influence films and performances.

Cynthia Baron is a Professor in the Department of Theatre and Film at Bowling Green State University, USA. Her most recent book is Modern Acting: The Lost Chapter of American Film and Theatre.

Yannis Tzioumakis is a Reader in Film and Media Industries at the University of Liverpool, UK. He is the author of four books, most recently American Independent Cinema, 2nd Edition, and co-editor of six anthologies.****

Autorentext

Cynthia Baron is a Professor in the Department of Theatre and Film at Bowling Green State University, USA. Her most recent book is Modern Acting: The Lost Chapter of American Film and Theatre. 

Yannis Tzioumakis is a Reader in Film and Media Industries at the University of Liverpool, UK. He is the author of four books, most recently American Independent Cinema, 2nd Edition, and co-editor of six anthologies. ****

Klappentext
This is an important contribution to scholarship on American independent cinema and on actors & acting, two fields of study which have seen tremendous growth in recent years but are rarely explored together. Expertly combining textual and contextual, performance and industrial analysis, this book will, I think, soon come to be regarded as a milestone.

Peter Krämer, author of The New Hollywood: From Bonnie and Clyde to Star Wars, and editor of Screen Acting

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