This book traces the influence of Hegel's theory of recognition on different literary representations of Chicano/a subjectivity, with the aim of demonstrating how the identity thinking characteristic of Hegel's theory is unwillingly reinforced even in subjects that are represented as rebelling against liberal-humanist ideologies.

Autorentext
Carlos Gallego is Associate Professor of English at St. Olaf College, USA. His work has appeared in academic journals such as Biography, Aztlán, Cultural Critique, and Western Humanities Review. He is currently finishing a book examining popular representations of psychopathology in American Culture. 

Inhalt
Introduction: Between Revolution and Recognition PART I: FROM EPIC NATIONALISM TO BORDERLAND IDENTITIES: DEFINING SUBJECTIVITY IN CHICANO/A POETICS Epic Aspirations: I Am Joaquín and the Creation of Chicano Subjectivity The Multicultural Turn: New Mestiza Subjectivity in Late Capitalist Society PART II: RE-COGNIZING REVOLUTIONARY SUBJECTIVITY: THE STRUCTURALIST TURN IN CHICANO/A LITERATURE The Structuralist (Re)Turn: Embodied Agency in Chicano/a Poetics Topographies of Resistance: Cognitive Mapping and Revolutionary Action in Rivera and Viramontes PART III: NON-IDENTITY AND THE TRUTH OF THE REAL: NARRATIVES OF LIFE EXPERIENCE IN ACOSTA AND PINEDA Universalism and the Identity Politics of American Democracy: Oscar 'Zeta' Acosta and the Dialectics of (Mis)Recognition Universality at the Margins: Cecile Pineda's Face and the Horrific Truth of Non-Identity Conclusion-'Beckett is a Chicano!': Antihumanist Universality in Chicano/a Literary Studies