Here, essays use the latest theories in postcolonialism, globalization, and post-nationalism to explore how world cinema and theater respond to Bollywood's representation of Shakespeare. In this collection, Shakespeare is both part of an elite Western tradition and a window into a vibrant post-national identity founded by a global consumer culture.

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Richard Allen, New York University, USA Paromita Chakravarti, Jadavpur University, India Brinda Charry, Keene State College, USA Rosa María García-Periago, University of Murcia, Spain Mike Heidenberg, Fashion Institute of Technology, USA Kendra Preston Leonard, independent scholar Gitanjali Shahani, San Francisco State University, USA Vikram Singh Thakur, Ambedkar University, India Poonam Trivedi, Indraprastha College, University of Delhi, India

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Introduction: Shakespeare and Bollywood: the Difference a World Makes; Craig Dionne and Parmita Kapadia PART I: BOLLYWOOD'S DEBT TO THE THEATER: AESTHETIC AND CULTURAL MULTIVALENCY 1. Parsi Shakespeare: The Precursor to 'Bollywood Shakespeare'; Vikram Singh Thakur 2. Bollywood Battles the Bard: The Evolving Relationship Between Film and Theater in Shakespeare Wallah ; Parmita Kapadia PART II: SHAKESPEARE'S LOCAL FACE: USING SHAKESPEARE TO REARTICULATE INDIAN IDENTITIES 3. The Ambiguities of Bollywood Conventions and the Reading of Transnationalism in Vishal Bhardwaj's Maqbool ; Rosa María García Periago 4. No Country For Young Women: Empowering Emilia in Vishal Bhardwaj's Omkara ; Mike Heidenberg 5. The Global as Local / Othello as Omkara; Brinda Charry and Gitanjali Shahani PART III: BOLLYWOOD'S CULTURAL CAPITAL: BOLLYWOOD SELLS SHAKESPEARE 6. Interrogating 'Bollywood Shakespeare': Reading Rituporno Ghosh's The Last Lear ; Paromita Chakravarti 7. The Sounds of India in Supple's Twelfth Night ; Kendra Preston Leonard 8. Comedies of Errors: Shakespeare, Indian Cinema, and The Poetics of Mistaken Identity; Richard Allen Afterword: Shakespeare and Bollywood